Schwa AAX* Bundle v3.0.3 WiN
TEAM V.R | Jan 05 2018 | 25.75 MB
Viewed 5720 By Music Producers.
dB-M is an mastering tool for fine-tuning the dynamics and loudness of your mix. If you’ve heard of the benefits of multi band processing, but don’t understand how it works, then give dB-M a try. The graphical interface shows you exactly what the multi band algorithm is doing, in realtime. There are far fewer controls to worry about than on most multiband processors.
Sidechain Compressor is a flexible VST/AU compressor plug-in. It can be used as a regular channel strip compressor for clean crisp compression & limiting across a wide range of mixing jobs (e.g. adding punch to drum tracks or presence to vocals). For additional flexibility, the sidechain controls (Lo Cut/Hi Cut/Shape) let you customise the compression response.
Sidechain Gate lets you perform clever mixing techniques, by using a source track to gate a destination track. For example, you can use a complex hi-hat pattern in one track to rhythmically gate a synth pad in another track. Or simplify a busy bass guitar by gating it from a kick drum track (so the bass guitar is only heard when the kick drum sounds). What’s more, Sidechain Gate is easy to use, and works in almost any audio software package – even those that do not directly support side-chaining***. It only takes a few mouse clicks and you’re up and running!
EAReverb 2 is a 100% algorithmic reverb plug-in (32/64-bit VST2, VST3, AU, AAX). It features the “Natural” core engine of the original EAReverb but also brings a plethora of new algorithms and functionalities accessible from a totally revised user interface. Compared to the former EAReverb which focuses on simulating natural environments, EAReverb 2 can then be considered as a more holistic answer to your reverb needs.
EARebound is a full-featured multi-delay plug-in which has been designed to meet a specific need : to quickly create rhythm lines from percussive sounds recorded in various environments (natural, urban, industrial, …). Recording these sounds, processing them through (carefully selected) effects in order to obtain multiple versions of them, loading and mapping them in a sampler, placing them in space, … takes a considerable amount of time and can be an obstacle to spontaneous creativity. In addition, even if we are satisfied with the results after hours of hard work, this rhythmic grail cannot be easily modified, as we would like, during live situations.
Following the footsteps of our Efektor Distortion Bundle, the newest addition to the Efektor series we studied and examined more than 20 models of fabled modulation effects from the 1950s to the last decade. Modulation type effects are widely used by organ/synth players, guitarists, and studio engineers to add width, depth, and movement to the original sound. In this latest bundle, we collect the prominent ones and packed them into four devices.