Magesy® R-Evolution™

  • Deep Percussion Beds WAV KONTAKT-ASSiGN
    7 July 2020
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    Deep Percussion Beds KONTAKT

    TEAM ASSiGN | 07 JANUARY 2011 | 3.58 GB

    Percussion loop libraries have been, and will continue to be, a necessary tool for composers on the go. They can transform a cue into something completely different with just a few clicks and one pass on the keyboard.

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    9735 Views

  • WOK RackTube v1.0 VST x86 WiN-ASSiGN
    23 May 2020
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    WOK RackTube v1.0 VST x86 WiN-ASSiGN

    WOK RackTube v1.0 WiN

    TEAM ASSiGN | 30.03.2010 | 6.5 MB

    This is a simple tube-emulator, giving some saturation (or distortion) to your audio. Use it as an insert on single tracks or master. Not much more to say to this one, just try it out.

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    10099 Views

  • WOK Quatropolis v1.0 VST x86 WiN-ASSiGN
    22 May 2020
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    WOK Quatropolis v1.0 VST x86 WiN-ASSiGN

    WOK Quatropolis v1.0 WiN

    ASSiGN | 25 MARCH 2010 | 7.1 MB

    Quatropolis is a 4x chorus inspired from magesy download past analog Roland™ designs. The effect ranges from magesy download soft stereo modulations to deep detuning. It is easy to use just with a lever for modulation depth and one for speed.

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    6679 Views

  • WOK Moogo Filter v1.2 VST x86 WiN-ASSiGN
    22 May 2020
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    WOK Moogo Filter v1.2 VST x86 WiN-ASSiGN

    WOK Moogo Filter v1.2 WiN

    TEAM ASSiGN | 25 MARCH 2010 | 9.66 MB

    This is a MIDI-controllable filter, that gives all your plugins or synths that famous thick sound you all know well. It is stereo and has MIDI control. Put it as an insert into your audio track or behind your synth plugin. Use the frequency and resonance dial for a static sound, or feed it with MIDI-notes to use the integrated envelope generator! V1.2 has a new GUI, an envelope follower, two more filter types (BP, HP) and a faster envelope.

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    7430 Views

  • VirSyn Matrix v2.1.0 VST RTAS x86 x64 WiN-ASSiGN
    6 April 2020
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    VirSyn Matrix v2.1.0 WiN

    Team: ASSiGN | 10 JANUARY 2012 | 10.59 MB

    Matrix – The Voice Coder is “The Vocoder for the 21st century”.

    The Vocoder was invented by Homer Dudley in the mid-30’s of the last century. Dudley worked at Bell Laboratories, and this is where the first Vocoder took shape. The basic function of a Vocoder is characterized by an analysis of the input signal, usually speech but other type of inputs can also be very interesting. In a special filter bank, a spectral analysis is performed and signals are developed which follows the amount of spectral energy in each channel. Another part of the analyzer tests if there are unvoiced or voiced sounds at any particular time and extracts the pitch of the voiced sounds. The output section of the vocoder consists of a stereophonic synthesis filter bank which assembles the new synthetic speech from magesy download the characteristic filter envelopes from magesy download the analysis stage together with an external or internal replacement signal.

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    26953 Views

  • M4GIQ v1.0 VST x86 WiN-ASSiGN
    19 March 2020
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    M4GIQ v1.0 VST x86 WiN

    TEAM ASSiGN | 05 DECEMBER 2010 | 5.14 MB

    At some point, every music producer or sound engineer will encounter that one guitar line or vocal phrase that just won’t sit right in the mix. And no matter how much de-esser you apply to that belting female track, it still sounds harsh. Maybe you’ve experienced something like this in the past, or maybe you’re working on that “nightmare” project right now. While M4GIQ is by no means a one-shot solution for such a scenario, it can help you get it right with a little balancing (and spreading) act.

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    9426 Views
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  • VirSyn VSTi VST RTAS PlugIns Pack WiN
    15 February 2020
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    VirSyn PlugIns Pack WiN

    AiR/ASSiGN | 2009/2011 | 177 MB

    ..:: VST, VSTi, RTAS, x86, x64 ::..

    Bark, Cantor, FDelay, Klon, Matrix, Poseidon, Prism, Reflect, TDesign, Tera, Vtape.

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    45492 Views

  • EVE2 v2.5.1 VSTi WiN MAC-ASSiGN
    15 August 2019
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    EVE2 v2.5.1 VSTi WiN MAC

    Team ASSiGN | 15 JANUARY 2010 | WiN: 306.46 MB | MAC: 310.80 MB

    EVE stands for Electronic Vintage Ensemble, which suggests the design philosophy behind the instrument. EVE was made to recreate in the virtual world of softsynths the exciting and immediate experience of the early age of electronics in pop, rock and jazz music from magesy download the 1960’s and 1970’s. During this creative period in music history, many musicians started to employ the innovative sounds of the ‘electric keyboards’ which were newly available for use on stage and in the studio: Rhodes electric pianos, Hammond and Vox organs, Hohner clavinets, strings machines such as the Arp Solina string ensemble, Moog synthesizers, and all those that are now considered ‘classics’.

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    13839 Views
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  • Endless Series v3.00 VSTi WiN x86 x64-ASSiGN
    11 June 2019
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    Endless Series v3.00 VSTi WiN

    Team ASSiGN | 28 MAY 2011 | 3.30 MB

    Endless Series is a unique synthesis and effect plug-in based on the Shepard Tone auditory illusion. It generates mind bending infinite scales, psychedelic drones and fascinating sonic textures and works as a tone generator, a ring modulator, phaser, flanger or resonant filter bank effect. It’s perfect for adding subtle or extreme tension to many kinds of electronic and experimental music – for instance you can use it to drive the dance-floor crazy with never ending build-ups and climaxes, or add a sense of motion to your latest track without changing the tempo. The plugin is also very effective for many sound design tasks and makes great high-octane engine sounds, like those used for the Batpod in Batman, The Dark Knight.

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    4643 Views

  • Kicklab XXL v 1.0.2 VSTi x86 WiN-ASSiGN
    25 April 2019
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    Kicklab XXL v 1.0.2 VSTi x86 WiN

    Team ASSiGN | 5 OCTOBER 2011 | 8.31 MB

    Kicklab XXL is the most advanced Kickmaking machine on the market, with the whole vst dedicated solely to the most important percussion element of any electronic track, the KICK!. Kicklab XXL is designed for producers who understand the importance of a good, solid Kick drum in their track. Often producers spend a large proportion of their time selecting, trimming, changing and balancing the Kick drum in their productions. It is the foundation and building block upon which all the other elements are set upon, and the reality is that a bad sounding Kick can quite simply ruin your track. For this reason many producers lean towards selecting a Kick drum sample over a “synthesized” Kick, for one simple reason…. Kick drum samples generally sound better. But the problem the producer is then faced with is a lack of control over tweaks and modifications to the sound of the Kick in a static sample. So layering techniques have developed over the years where a sample Kick is mixed with other Kick drums from magesy download different sources, Eq’d and pitch changed and mixed and tweaked…to create the desired result. Up until now this has been a combination of many different external techniques and processes all coming together, in samplers, external Fx plugins, synths and mixers. Enter…Kicklab XXL.

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    11602 Views



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