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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • ADM v1.3.3.9 AU VSTi WiN MAC-R2R
    June 6th, 2021 ⚡
    Categories: AU, macOS, VST, VSTi, WiNDOWS, x64, x86

    ADM v1.3.3.9 AU VSTi WiN MAC-R2R

    ADM v1.3.3.9 AU VSTi WiN MAC

    TEAM R2R | 21.11.2016 | WiN 16.27 MB | OSX 30.72 MB

    WiN32/64 – VSTi | MacOSX – AU/VST

    Booming bassdrums, saucy cymbals and crispy snares can be used to describe the sound of drum machines from the early 80’s. ADM contains three classic vintage drum machines from that era rolled into one, combined with a 32-step internal sequencer and pattern controlled fx (PCF). Get all your patterns into ADM via the Import Rebirth function or directly from your old 909 via sysex (we will provide a free tool for dumping sysex).



    Viewed 10684 By Music Producers.


    • Theremin v1.4 AAX AU VSTi WiN MAC-DECiBEL
      June 6th, 2021 ⚡
      Categories: AAX, AU, macOS, VSTi, WiNDOWS, x64, x86

      Theremin v1.4 AAX AU VSTi WiN MAC-DECiBEL

      Theremin v1.4 WiN MAC

      Team DECiBEL | 16 Apr 2020 | 4.3MB-7.2MB each

      …::: AAX, AU, VSTi, x86, x64 :::…

      The theremin is an electronic instrument patented in 1928 by Leon Theremin. The typical theremin users two oscillators – one producing a static frequency, one variable – and amplifies the difference of these two signals to produce sine waves at different frequencies, thus creating different pitches. A theremin uses a secondary circuit to control amplitude. You can control pitch/volume with your hands by adjusting the position of your hands in relation to the two antennas of the theremin, thus making it one of the only instruments in the world that you play but never touch! The tone of the theremin is well known, and can be heard in countless horror scores because of its somewhat unnatural and haunting tone. Theoretically, a theremin produces a fundamental pitch as a pure sine wave, and pure sine waves sound unnatural because most sounds in nature come with magesy overtones. The theremin is considered to be one of the worlds most challenging instruments to play. Not only is a theremin “fretless” like a violin, but even stringless, and the tone it produces is not stopped by inaction or through natural decay, but rather by manually decreasing the volume. In other words, to produces staccato notes, one must control not only the attack and hold, but also the decay. This is counterintuitive to how almost every other instrument works.



      Viewed 15048 By Music Producers.


      • Prosonus The Orchestral Collection VSTi RTAS MAS AU HYBRiD DVDR-DYNAMiCS
        May 31st, 2021 ⚡
        Categories: AU, macOS, MAS PLUGiNS, RTAS, VSTi, WiNDOWS, x86

        Prosonus The Orchestral Collection

        Team DYNAMiCS | 06.04.2005 | 589.28 MB

        …::: x86, VSTi, RTAS, MAS, AU, HYBRiD :::…

        From percussion to strings, brass to woodwinds- it’s all here. You will find string orchestra sustained, marcato, pizz and FX; section and solo violin, viola, cello and bass; trumpet, piccolo trumpet, flugelhorn, french horn, trombone, bass trombone, tuba and tuba FX; brass ensemble and brass orchestra; flute, alto flute, piccolo, clarinet, oboe, oboe d’amore, English horn, bassoon, and contrabassoon; harp single notes and glissandi; timpani, tubular bells, triangle, cymbals, cymbal FX, gong, snare, snare rolls, and more!



        Viewed 16160 By Music Producers.


        • MemoryMoon v1.8.10 VSTi x86 WiN-AudioP2P
          May 30th, 2021 ⚡
          Categories: VSTi, WiNDOWS, x86

          MemoryMoon v1.8.10 VSTi x86 WiN

          Team AudioP2P | 27 Feb 2020 | 5.7 MB

          Provided by Team R2R.

          I needed a fat synthesizer that could compete with loud guitar amplifiers and sound better than distorted guitar sounds. So I built the memorymoon. Memorymoon has 6 voicecards with 3 oscillators. You can set drift values for osc1 tuning, osc2 tuning, pulse-width, filter cutoff and VCA level to emulate the variations between voice cards in analog synthsizers. Osc1 has a drift button to do LFO drift. Unison will make a single note play from 1-6 voicecards at the same time. The sound is very overdriven. Mixer levels over 50 will create distortion in all oscillators. Filter2 has multiple stages of distortion and filter2 level knob will set the overdrive gain. Filter2 has built in +/- 5% variations to emulate analog components. The distortion effect at output can be inserted at output stage, or before the filter. It is a live-instrument. Arpeggiator, osc3, LFO and delay can be synced to host clock, or you can set tempo to manual and tap the synced tempo with a button (CC97), tap with the sustain pedal, or use the tempo knob.



          Viewed 6097 By Music Producers.


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