🎵 MaGeSY® R-EVOLUTiON™⭐ ⚡(FAST EDiTiON)⚡

  • God Mode v1.0.1 WiN MAC RETAiL-SYNTHiC4TE
    January 18th, 2021
    Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64

    God Mode v1.0.1 WiN MAC RETAiL-SYNTHiC4TE

    God Mode v1.0.1 WiN MAC

    SYNTHiC4TE | May 22 2020 | WiN 4.7 MB | OSX 14.7 MB

    VST, VST3, AU, AAX, x64

    The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from magesy download the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.



    Viewed 23226 By Music Producers.


    • Goliath 2 v1.1.2 AAX AU VST x86 x64 WiN MAC-R2R
      January 17th, 2021
      Categories: AAX, AU, macOS, VST, WiNDOWS, x64, x86

      Goliath 2 v1.1.2 AAX AU VST x86 x64 WiN MAC-R2R

      Goliath 2 v1.1.2 WiN MAC

      Team R2R | 17 Jan 2021 | WiN: 16.6MB | OSX: 58.8MB

      PLATFORMS: WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

      Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! What’s new ? Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.



      Viewed 25458 By Music Producers.


      • Extract:Dialogue v1.0.5 WiN MAC-R2R
        January 17th, 2021
        Categories: AAX, AU, VST, VST3, WiNDOWS, x64, x64, x86, x86

        Extract Dialogue v1.0.5 WiN MAC-R2R

        Extract:Dialogue v1.0.5 WiN MAC

        Team R2R | 17 Jan 2021 | WiN: 13.2MB | OSX: 39.2MB

        .: AAX, AU, VST, VST3, x86, x64 :.

        Extract:Dialogue is a plug-in that separates dialogue from magesy download common types of background noise such as wind, rustle, traffic, hum, clicks and pops. The algorithm works in real time and is based on deep learning. It has been trained on thousands of high-quality voice recordings and an equally extensive set of common noise sources. The extensive training enables the artificial intelligence to automatically distinguish dialogue from magesy download noise without user interaction. This makes Extract:Dialogue extremely easy to use – just add it to your dialogue bus and let it do its magic.



        Viewed 3523 By Music Producers.


        • OB-Xa V v1.0.0 macOS
          January 16th, 2021
          Categories: AAX, AU, macOS, VST3, VSTi, x64

          OB-Xa V v1.0.0 macOS

          OB-Xa V v1.0.0 macOS

          P2P | 20 May 2020 | 224 MB

          AU, STANDALONE, VSTi, VST3, AAX, x64

          The OB-Xa V takes the immense analog power of the fat, aggressive sounding OB-Xa from magesy download the 80s charts to the modern era. Faithful to the sound of the original and supercharged with new features, OB-Xa V will take you for a wild sonic ride. Longing to sound like the biggest icons of the 80s? Jump into the dream world of the future by activating the brand new features of the evolved synth. Immerse yourself in this quirky synth and whip up new songs with the fat, creamy sounds that made it famous. Not only will you feel the original sound of punchy bass, thick analog pads and drones, and cyclical effects at your fingertips, you’ll also have access to brand new features that will bring out this iconic sound deeper than ever. OB-Xa V is here to let you spin that audio hurricane!



          Viewed 21481 By Music Producers.


          • IIEQ Pro v3.5.4 WiN-R2R
            January 15th, 2021
            Categories: AAX, DDMF, VST, WiNDOWS, x64, x86

            IIEQ Pro v3.5.4 WiN-R2R

            IIEQ Pro v3.5.4 WiN

            Team R2R | May 19 2020 | 4.8 MB

            PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

            IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.



            Viewed 32189 By Music Producers.


            • PatchWork v2.43 WiN MAC-R2R
              January 15th, 2021

              PatchWork v2.43 WiN MAC-R2R

              PatchWork v2.43 WiN MAC

              Team R2R | 15 Jan 2021 | WiN: 36.8 MB | OSX: 355.4 MB

              WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

              “The virtual patchbay for audio plug-ins”

              PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.



              Viewed 42325 By Music Producers.


              • RealRick v4.0.5.7471 AAX STANDALONE VSTi VST3 WiN-R2R
                January 15th, 2021

                RealRick v4.0.5.7471 AAX STANDALONE VSTi VST3 WiN-R2R

                RealRick v4.0.5.7471 WiN

                Team R2R | 15 Jan 2021 | 514.3MB

                PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX

                In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from magesy download Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few. Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.



                Viewed 5739 By Music Producers.




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