Lindell 354E v1.0 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, Win, VST3, VST, V.R, Multiband Compressor, Multiband, Lindell, CE, Bridge, AAX, 354E

Lindell 354E v1.0 WiN

TEAM V.R | Oct 28 2017 | 12.5 MB

AAX VST VST3 x86 x64

The Lindell 354E is a multiband model of the most famous vintage diode bridge compressor, the Neve 2254E, precisely replicating its distinctive behavior and rich sonic character in each of its three bands. But in practical use, the 354E really is two compressors in one: Turn on its Nuke mode to radically shape individual tracks, and turn it off for lighter, more nuanced compression when mastering or for surgical mixing. Both modes yield the same lush coloration and smooth presence that made the 2254E one of the most revered and highly sought after compressors in the world. The 354E is one of the very best plugins you can use to compress drums, electric guitars, and rock vocals. Unlike its single-banded cousin, the 254E, three independent compression bands (Low, Mid and High), powerful Nuke mode, and Niveau and highpass sidechain filters let you dramatically reshape tracks for maximum size, punch and bottom-end weight. And with an adjustable attack time as fast as 2µsec (two millionths of a second), the 354E is one of the fastest compressors available, capable of shaping sounds in extreme ways most other compressors can only dream of.

FEATURES:
•Faithfully models the most famous vintage diode bridge compressor, the Neve 2254E, in each of its three independent frequency bands
•Adjustable crossover frequencies between bands allow you to home in on where compression is needed most
•Ratios range, in five steps, from 1.5:1 for mastering and master-bus compression to as high as 6:1 for shaping individual tracks
•Switchable Nuke mode over-compresses tracks to dramatic effect
•Mid/Side mode focuses compression on mid or side channel—or in stereo—for surgical precision
•Highpass filter in sidechain lends greater punch to compressed drums, bass guitar and other bass-heavy instruments
•Switchable Niveau filter tilts sidechain’s frequency response to preserve bass energy—great for creating the killer API “thrust” compression effect
•Mix control provides instant parallel processing, especially useful for blending radically compressed signal with pristine dry input when compressing drums, adding density to rock guitars and more
•Bands can be linked and soloed
•Adjustable, wide-ranging attack and release controls include blazing-fast 2µsec attack time for radical compression and Auto release for artifact-free processing
•Optional auto-makeup gain for each band
•Three-way meter displays I/O and gain-reduction levels in turn
•Internal operating levels can be calibrated in nine 1dB steps for precise mastering applications
•Resizable user interface and up to 16x oversampling for digital precision in any environment

INFO/DEMO/BUY: https://mage.si/3a0E
Lindell 354E v1.0 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/34306/Lindell-354E-v1.0-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

G8 Dynamic Gate v1.3.1 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, Win, VST3, VST, V.R, Gate, G8, Dynamic, CE, AAX

G8 Dynamic Gate v1.3.1 WiN

TEAM V.R | Oct 28 2017 | 4.51 MB

AAX VST VST3 x86 x64

G8 takes dynamic sound shaping to the next level. Deceptively simple, G8 is a tool that reaches far beyond what any normal noise gate can do. While it does a great job at the usual tasks of rejecting noise and shaping transients, the MIDI in/out and alternate gating modes offered by G8 open a world of possibilities that let you forget you’re even using a ‘Gate’.  Use G8 to create dynamic rhythm patterns on sustained sounds; trigger an envelope on G8 with MIDI input or use it to trigger notes on a MIDI instrument; produce interesting fractal sequences and auto-panning effects with Delay and Output Reject. With Cycle Mode and One-Shot, you can create dramatic motion with G8’s envelope, reducing the time value of the envelope to mere milliseconds, resulting in AM synthesis. The four-channel input in the Expert Mode of G8 allows for complex in-DAW routing of different levels and types of content. G8 can split the amplitude of a single source, allowing you to route two different characteristics of your sound to different tracks – the Mains and the Reject.

From transient shaping to trance gating to polyrhythmic beat slicing, G8 can add a whole new level of endless creative possibilities to your sound.

FEATURES:
•‘Cycle’ gating mode gives you the ability to use G8 as a stutter effect, an AM/granular effect, or a tremolo
•‘One-shot’ gating mode allows for surgical transient shaping from any type of sound
•Custom MIDI in/out: trigger G8 with an instrument or extract grooves from an audio track to trigger an instrument with G8
•Route post-gate, ‘Reject Outputs’ to another track, or use ‘Flip’ mode to swap Reject Outputs with G8’s main output, essentially reversing the behavior of G8
•Four-channel analysis (sidechain) input; two internal and two external, each independently filtered and gain-controlled
•Precise triggering with Lookahead analysis
•RMS and Peak detection modes
•Variable reduction of gated signal allows for subtler processing
•Wet/Dry mix for parallel processing

INFO/DEMO/BUY: https://mage.si/X12Y
G8 Dynamic Gate v1.3.1 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/34305/G8-Dynamic-Gate-v1.3.1-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

Fault v1.1 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, Win, VST3, VST, V.R, Shifters, pitch shifters, Pitch, Fault, CE, AAX

Fault v1.1 WiN

TEAM V.R | Oct 28 2017 | 8.41 MB

AAX VST VST3 x86 x64

No other plugin has the comprehensive ability to manipulate pitch and time like Fault. Whether used at mixdown to fortify weak tracks or in sound design to totally mangle instruments beyond recognition, Fault’s applications are limited only by your imagination. With over 100 factory presets included – featuring settings from contributing artists like Richard Devine and Scott Kirkland from The Crystal Method – finding creative inspiration with Fault is fun and engaging. Three main processors power Fault’s comprehensive spectral control. Dual-channel Pitch Shifters musically retune sounds up or down as much as a full octave, in steps as small as 0.1 semitone. The stereo Frequency Shifter can be modulated by precision FM controls to create beautiful and discordant sounds alike. Stereo Delays use cross-channel feedback and filters to add immersive depth. And if that weren’t enough, every control knob and switch setting can be itself controlled dynamically by up to eight powerful and flexible modulators, two of which are brand new in version 1.1: Step Sequencer, and ROLI Lightpad (for seamless integration with ROLI’s latest MIDI controller hardware).

FEATURES:
•Over 100 presets featuring settings from Richard Devine, The Crystal Method, Mirrorball Entertainment, and Toby Pitman of Air Studios
•Artifact-free frequency and pitch modulation
•Dual-channel Pitch Shifters can be stereo-linked and quantized to whole-integer semitones
•Stereo Frequency Shifter can be modulated using high-resolution FM Frequency and Depth controls
•Stereo Delays can be synced to host’s tempo
•Six feedback paths—three each for the Frequency Shifter and Delays—including cross-channel feedback
•Unfiltered Audio’s flagship modulation system provides eight freely assignable and fully automatable modulators with drag-and-drop virtual patching: sine LFO, sawtooth/triangle LFO, square-wave LFO, input follower, sample-and-hold noise, macro control knob, Step Sequencer, and ROLI Lightpad
•Mid/Side processing adjusts stereo image from mono to super-wide, and provides optional output in M/S for further processing
•High Pass and Low Pass filters can be switched to process just the wet signal or both wet and dry
•Dry/Wet control provides parallel processing
•Built-in soft clipper, anti-aliasing filters, low-fi sampling rate control and ring-modulator mode
•New 25 Hz high pass filter option for improved shifter performance
•Improved pitch shifter, available through the Options menu
•Expanded choice of interface scaling options
•Randomize Preset feature
•Now includes an OpenGL toggle switch, for Windows users with unsupported graphics cards

INFO/DEMO/BUY: https://mage.si/oSmz
Fault v1.1 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/34304/Fault-v1.1-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

Dent v2.0 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, Win, Wavefold, VST3, VST, V.R, Tube, Tape, Soft Clip, Overfold, Harsh Fold, Hard Clip, Gloubi, EQ, Distortion, Dent, Cubic, CE, AAX

Dent v2.0 WiN

TEAM V.R | Oct 28 2017 | 8.91 MB

AAX VST VST3 x86 x64

It’s time to go deeper with your sound – way deeper. Sure, you’ve made your tracks sound nice – balanced the levels, added just the right EQ – maybe you even performed all the music. But that’s only the beginning. You want to get inside those waveforms, to tinker and explore, to realize your track’s potential and draw out a sound that had only existed between your ears. It’s time to get to know Dent 2. The original Dent was a different kind of distortion plugin, made  for every engineer and sound designer who had ever longed to manipulate the waveform on a molecular level. Now, with the release of Dent 2, audio control freaks rejoice, because Unfiltered Audio has gone subatomic. We’re talking about a let’s-sharpen-the-peaks-on-the-negative-half-of-the-waveform level of control! So if you’re looking for sweet analog hardware emulation, you better look elsewhere, because the mad scientists at Unfiltered are digital to their core, and they know exactly how to turn those ones and zeros into magic.

FEATURES:
•Presets from The Crystal Method, Mirrorball Entertainment, Julius Dobos, and Toby Pitman (Air Studios)
•Six distinctive bitcrushing algorithms (including a circuit-bent toy simulation!)
•Randomize Preset feature—surprise and amaze yourself with sonic madness!
•Ten clippers: Hard/Soft Clip, Wavefold, Overfold, Harsh Fold, Distortion, Tube, Tape, Gloubi, & Cubic
•Complex Mode gives users the option to apply a different saturation algorithm to each of the three clipping stages
•Continuously variable Bias and Split controls progressively add DC signal to one or both phases of the input signal
•Two waveshapers independently adjust the amplitude of—and optionally invert—positive and negative phase components of your signal
•Sound-warping Shape control progressively squares off or pinches waveform peaks
•Probabilistic and Sequential Waveset (internal step-sequencer) processing creates dynamic rhythmic patterns for the distorted signal with a simple twist of two knobs
•Unfiltered Audio’s flagship modulation system provides eight freely assignable modulators (sine LFO, sawtooth/triangle LFO, square-wave LFO, input follower, sample-and-hold noise, macro control •knob, step sequencer, and ROLI Lightpad) with drag-and-drop virtual patching to most of Dent 2’s controls
•Ability to minimize modulators by clicking on their icons
•Ability to reset LFOs via a trigger input and control phase
•Adjustable, analog-style multi-mode filter — with separate resonance control and four different filtering modes — can be placed pre- or post-distortion
•Continuously variable SR control progressively degrades the sampling rate of processed signal by directly manipulating Dent 2’s internal DSP
•AGC (Automatic Gain Compensation) button
•2x and 4x oversampling
•Smooth wavesets option, available from within the Global Options menu
•OpenGL toggle switch in the Option menu
•Mix control provides parallel processing
•Zoomed-in waveform display shows the shape of wave cycles after processing, guiding your control tweaks
•Get crunchy analog-style tones like guitar pedal effects, or searing digital demolition like bitcrushing and sample rate reduction
•Add attitude to vocals with input gain, square up bass tracks with the Shaper, obliterate samples with the Bits and Sample Rate reducers, and run it all through a screaming multi-mode filter

INFO/DEMO/BUY: https://mage.si/GON4
Dent v2.0 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/34303/Dent-v2.0-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

Instant Delay v1.0 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, Win, VST3, VST, V.R, Instant, Delay, CE, AAX

Instant Delay v1.0 WiN

TEAM V.R | Oct 28 2017 | 7.14 MB

AAX VST VST3 x86 x64

Introducing Instant Delay, newest delay plug-in from the Plugin Alliance stable that borrows from the artifact-free Modern Instant mode of its bigger sibling, Sandman Pro. In a first for delay plug-ins, Instant Delay’s modulation system also includes integration with ROLI’s latest controller, the Lightpad Block. It’s good news that Unfiltered Audio, even a simple delay, are going to be a little different. Drop Instant Delay into your standard delay returns, and it can perform all the everyday tasks you’d expect – anything from stereo echoes on a vocal track to ambient delay tails on an undulating synth pad. For its simple interface, Instant Delay has been designed to offer a huge amount of control and sonic possibility. The layout of the Delay Time setting not only offers tempo syncing for stereo channels together or separately, but also the option to offset one channel’s delay time relative to the other, thus widening the stereo field for shorter offset times, or creating syncopated rhythms for longer ones.

Features:
•Fully-featured delay line with Linked, Independent, and Offset modes for total stereo control over buffer settings
•Analog-style LP/HP/BP filter, with adjustable resonance, is applied to the feedback loop
•Built-in soft clipper with Drive control can generate subtle saturation, overdriven aggression, and everything in between
•Jitter control adds an organic nuance that results in subtle syncopations with slower delay times, and a natural “blurring” effect with faster ones
•Unfiltered Audio’s flagship modulation system provides eight freely assignable and fully automatable modulators, including a Step Sequencer, and integration with ROLI BLOCKS 5D Lightpad control surface
•A simple interface that offers a wide range of tones and applications, from simple vocal doubling to elaborate echo effects
•unique delay buffer algorithm lets users expand or contract the delay buffer in real time without pitch fluctuations or digital noise

INFO/DEMO/BUY: https://mage.si/53BP
Instant Delay v1.0 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/34302/Instant-Delay-v1.0-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

Sandman Pro v1.1.0 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, Win, VST3, VST, V.R, Sandman, Pro, Effects, Delay, CE, AAX

Sandman Pro v1.1.0 WiN

TEAM V.R | Oct 28 2017 | 7.34 MB

AAX VST VST3 x86 x64

Since its release, Sandman has wowed mix engineers, sound designers and DJs alike with its slice-and-dice genius. A delay plugin with a severe narcoleptic bent, Sandman uses its Sleep mode to freeze its delay buffer to create stunning loops and grains that can be re-pitched, down-sampled, played in reverse, dirtied with noise and modulated — transforming and mutating sounds beyond all recognition! Using very short delay times, the shape-shifting Sandman alternately becomes a flanger, stutter generator, wavetable synthesizer or percussion resonator. But Sandman also excels at producing traditional echo and stereo ping-pong effects, providing delay times ranging from slapback to longer than a coffee break.

Brimming with new features, from beautiful to bizarre, Sandman Pro is the indisputable Swiss army knife of the delay world.

FEATURES:
•Seven new delay modes: Classic Tape, Modern Instant, Pitch Shifter, Glitch Shifter, Multi-Tap,Reverse and No Echo
•Produces an unparalleled variety of time-based effects, including flanging, phasing, chorus, ping-pong delays, 16-tap delays, automatic double tracking, reverse echoes, reverb, pitch shifting, harmonizing, granular synthesis, percussion resonator, stutter generator, glitch effects and many other effects that defy description
•Delay times range from 5 ms to a whopping 1,000 seconds when used in conjunction with Sample Rate reduction
•Sleep buffer can be reversed, re-pitched, down-sampled, trashed with noise, modulated and shaped with built-in lowpass and highpass filters
•Every control—including the Sleep and Kill (panic) buttons—can be automated
•Unfiltered Audio’s flagship modulation system provides eight freely assignable and fully automatable modulators, including the new Step Sequencer and ROLI Lightpad module, with intuitive drag-and-drop patching to each and every one of Sandman Pro’s controls
•Left and right channels can have cross-channel feedback and filtering applied and their delay times linked, offset or independently adjusted
•Feedback, X-Feed and Diffusion parameters to create thick delay tails or even reverbs
•M/S mode outputs Mid and Side signals on left and right channels, transforming Sandman Pro into a mid-side encoder
•M/S Width control adjusts the wet signal’s stereo field from mono to stereo to super-wide stereo
•Soft Clip function provides analog-style saturation at Sandman Pro’s inputs and outputs
•Waveform display shows the effect of your control tweaks in real time
•Newly added features provide seamless integration with the ROLI Lightpad control surface, for an unparalleled level of real-time control.

INFO/DEMO/BUY: https://mage.si/629N
Sandman Pro v1.1.0 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/34301/Sandman-Pro-v1.1.0-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

Sandman v1.3.0 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, Win, VST3, VST, V.R, Sandman, Effects, Delay, CE, AAX

Sandman v1.3.0 WiN

TEAM V.R | Oct 28 2017 | 6.95 MB

The Delay of Your Dreams

(Win32/64; AAX*, VST3, VST)

Sandman is far more than just a delay plugin; it’s a wormhole to the dreamtime states of your sounds. It’s a deceptively simple gateway to a microcosm of sonic dimensions bordering the absurd. It’s a new way to extract loops and grains from a sound that can be as close to or as far flung from the original, as you like. From the input of just a single sample, Sandman opens a Pandora’s box of endless sonic possibilities.  At first glance, Sandman offers the most basic parameters found on a delay plugin – host synch-able Delay Time and ping-pong feedback, along with a wet/dry mix and a filter for good measure. Use these standard features for flanging, comb filtering, or adding string-like texture to percussive sounds. The Sample Rate parameter can add vintage grime or completely decimate a sound by directly lowering the sample rate of the DSP engine; an adjacent Dirt switch gives you the loving character of a lo-fi recording.

Features:
•Unique ‘Sleep’ function creates locked loops by freezing delay buffer, allowing the Start and End time to be manipulated by up to 100%
•Sample Rate parameter directly controls the time-frequency domain of the sample, slowing or re-pitching the sound
•Dual LFOs allow bipolar modulation of nearly every parameter
•‘Dirt’ switch for some gritty vintage goodness
•Ping Pong mode for stereo effects
•Wet/Dry mix for parallel processing
•Granulate or reverse loops, then mangle or morph them into a completely different sound
•Add fluttery spring echo or silky ambience with time, feedback, and filter controls in mono or stereo
•Create interesting warps and warbles for sound design or live performance
•Wide-ranging delay times, from 5ms to 5s; get up to 8min by adjusting the Sample Rate!

INFO/DEMO/BUY: https://mage.si/UB1U
Sandman v1.3.0 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/34300/Sandman-v1.3.0-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

SpecOps v1.0 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, Win, VST3, VST, V.R, Spectral, SpecOps, Effects, CE, AAX

SpecOps v1.0 WiN

TEAM V.R | Oct 28 2017 | 9.51 MB

(Win32/64; AAX*, VST3, VST)

SpecOps is dozens of plugins in one. Inside its easy-to-use interface is a jam-packed armory containing 36 diverse and flexible spectral effects, ranging from subtle to extreme. How you use these potent tools is truly limited only by your creative imagination: transform synthesizer presets with new sonic qualities, add throbbing grunge to drum loops, fatten up instrument tracks, delicately clarify full mixes, or decimate organic instruments and vocals beyond recognition to create one-of-a-kind special effects.

Yeah, it does all that. SpecOps is a springboard for your imagination!

FEATURES:
•Powerful, multi-faceted processing has wide-ranging uses in music production, sound design and live performance
•36 spectral effects can be applied – three at a time – to different frequency ranges with extremely high resolution
•Spectral effects include filters, amplitude manipulators, pitch and frequency shifters, audio freezers, data compressors, glitchy processors and a clipper – each of which can act on a different, independently adjustable frequency band
•Additional wideband processors – two pitch shifters, a frequency shifter and Freeze effect – optionally process input signal before spectral effects are applied
•Spectral Compander can gently or severely compress or expand dynamics for all other effects—both spectral and wideband—independently in thousands of frequency slices at once
•Analog-style, two-pole Low Pass filter softens high frequencies in plugin’s summed wet output signal
•Continuously variable Mix control blends wet and dry signals, allowing light application of outrageous effects
•Unfiltered Audio’s flagship freely assignable modulation system includes seven built-in modulators – a powerful 16-step sequencer, input follower, sample and hold noise, macro control and four different LFOs – all of which can be routed simultaneously to any and all control knobs and sliders
•Included external patch allows connection to a ROLI BLOCKS Lightpad, which provides tactile control over SpecOps’ control knobs and sliders for studio production and live performance
•High-resolution Visualizer offers six display modes ranging from a basic waveform display to a technicolor array of spectral bins

INFO/DEMO/BUY: https://mage.si/4Qec
SpecOps v1.0 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/34299/SpecOps-v1.0-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

Zip v1.0 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, Zip, x86, x64, Win, VST3, VST, V.R, CE, AAX

Zip v1.0 WiN

TEAM V.R | Oct 28 2017 | 8.91 MB

(Win32/64; AAX*, VST3, VST)

Calling Zip a compressor is like calling a Lamborghini a passenger car. It does neither one justice. Zip creates unique effects and solves thorny audio challenges in a flash, leaving traditional compressors in the dust. Zip can provide both compression and downward expansion, switching between processors with one mouse click. Six Analysis modes—Amplitude, Quietness, Brightness, Darkness, Noisiness and Tonalness—spark compression or expansion depending on the signal level, frequency content or noise feeding Zip’s input. On bass guitar tracks, select Darkness mode to compress headroom-eating low notes while giving higher-pitched notes room to breathe. Using Noisiness mode, you can make Zip’s compressor clamp down only on overdriven electric guitar chords while leaving palm mutes on the same track loud and proud. Solving unusual audio challenges is child’s play for Zip.

Smashing drums, supersizing vocals, and transforming a boring pad into a Trance anthem—Zip does it all!

Features:
•Unique Analysis modes and state-of-the-art modulation system turn Zip’s compressor and expander into tools for creating riveting effects and solving difficult audio challenges
•Six Analysis modes—Amplitude, Quietness, Brightness, Darkness, Noisiness and Tonalness—make Zip’s processors react more to signal level, frequency content or noise
•Four Envelope Styles—Classic, Goopy, Quick and Extreme—modify Zip’s attack and release curves, providing a selection of four differently behaving compressor/expanders in one plugin
•Unfiltered Audio’s flagship automatable modulation system provides eight different internal modulators and a patch to an external ROLI Lightpad, all patchable—up to six modulators at once—to most of Zip’s controls
•Modulators include Sine, Sawtooth/Triangle and Square LFOs; Input Follower; Macro Control; Sample and Hold Noise; Step Sequencer; ROLI Lightpad; and Gain Reduction
•Continuously variable Color control provides post-dynamics processing in seven modes, respectively offering phase-modulated distortion, soft saturation, bitcrushing, and four 2-pole pass filters (two of which feature cutoffs modulated by Zip’s Analysis modes)
•Internal and external sidechains are equipped with High Pass and Low Pass filters and an Audition button for hearing the signal the detector acts on
•Controls for wet/dry mix (for parallel compression), lookahead (affecting both sidechains), switchable peak or RMS detection, and automatic makeup gain
•Informative real-time display graphically depicts the current threshold, ratio and knee, and shows multi-colored traces for sidechain, output and gain reduction levels

INFO/DEMO/BUY: https://mage.si/22jK
Zip v1.0 AAX VST VST3 x86 x64 WiN CE-V.R
http://beelink.in/34298/Zip-v1.0-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html

Efektor Modulation Bundle v1.0 WiN V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, Win, VST3, VST, V.R, Tremolo, Phaser, Flanger, Efektor Modulation, Chorus, Bundle, AAX

Efektor Modulation Bundle v1.0 WiN

TEAM V.R | Oct 27 2017 | 24.4 MB

Chorus, Flanger, Phaser, and Tremolo

(Win32/64; AAX*, VST3, VST)

Following the footsteps of our Efektor Distortion Bundle, the newest addition to the Efektor series we studied and examined more than 20 models of fabled modulation effects from the 1950s to the last decade. Modulation type effects are widely used by organ/synth players, guitarists, and studio engineers to add width, depth, and movement to the original sound. In this latest bundle, we collect the prominent ones and packed them into four devices.

INFO/DEMO/BUY: https://mage.si/0U1M
Efektor Modulation Bundle v1.0 WiN-V.R
http://beelink.in/34296/Efektor-Modulation-Bundle-v1.0-WiN-V.R.html

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