Lexicon PCM Total Bundle v1.2.6 and v1.3.7 VST WiN AudioUTOPiA, x86 x64 windows vst plugins lexicon, Win, VST, Total Bundle, Total, Reverb, PCM, Lexicon, Bundle, AudioUTOPiA

Lexicon PCM Total Bundle VST WiN

Team AudioUTOPiA | Dec 19 2015 | 183 MB

The total studio package for those who demand only the best.

For the first time in over 40 years, Lexicon is offering that same distinctive, smooth, rich “Lexicon Sound” as a collection of native plug-ins. The PCM Total Bundle includes everything in both our award winning Native Reverb Bundle as well as all of the newly released Native Effects Bundle. The PCM Total Bundle delivers an artful blend of 14 legendary Lexicon reverb and effects plug-ins with hundreds of the most versatile and finely-crafted studio presets.

A powerhouse bundle of heritage and innovation, the PCM Total Bundle is the ultimate studio plug-in package for creating professional, inspirational mixes within popular DAWs such as Pro Tools®, Logic®, Nuendo® or any other AAX, RTAS®, AudioUnit™, or VST® compatible host. Designed to bring unsurpassed sonic quality to all of your audio applications, the PCM Total Bundle will take center stage in your DAW.

Lexicon PCM Total Bundle v1.2.6 and v1.3.7 VST WiN AudioUTOPiA, x86 x64 windows vst plugins lexicon, Win, VST, Total Bundle, Total, Reverb, PCM, Lexicon, Bundle, AudioUTOPiA

INFO/DEMO/BUY: https://mage.si/Cqw3
Lexicon PCM Total Bundle v1.2.6 and v1.3.7 VST WiN-AudioUTOPiA

Virtual Buss Compressors v1.2.9.1 WiN AudioUTOPiA, x86 x64 windows vst plugins, Win, Virtual Buss, Virtual, Compressors, Buss Compressors, Buss, AudioUTOPiA

Virtual Buss Compressors v1.2.9.1 WiN

Team AudioUTOPiA | 29 Oct 2016 | 194.2 MB

Virtual Buss Compressors is a suite of three unique-sounding dynamic processors, all 100% modeled after top analog mastering gear and thus ideal for program material.  Every nuance of real analog compressors has been modeled, including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.

This compressor is based on the classic RED-faced compressor that has been a favorite of mix legend Chris Lord Alge, who first showed it to me when I visited his studio years ago. I thought it was odd actually: here was this compressor that nobody else seemed to really use, and it was on a setting at 1.5:1 and the attack looked very fast for a Mix-Buss compressor. This was puzzling because I usually associated a faster attack with a loss of transient punch, but if you’ve heard Chris’s mixes you know that they are the exact opposite of that! So being the classic gearslut, I bought one, (I got the unit with both input and output transformers). The first thing I did was put it on my mix in the settings that Chris showed me… 1.5:1, attack around 10/11 o’clock, auto release, compressing just 2-3db tops. And…. WOW! One of the clearest, punchiest sounding rock mixes I’d ever heard come out of my own speakers. This unit was amazing!!!

The FG-GREY starts off with a very precise model of the classic British “4000 series console compressor”. I’ve used the hardware model for many years but I never fully appreciated just how magnificent the piece is until studying it during the modeling process. It has a way of being able to tighten and ‘gel’ the components of a mix in ways that can go from fairly transparent in auto-release mode, to very aggressive in manual mode.

I’ve been lucky enough to hear and use some of the most classic and hard-to-find tube buss compressors on the planet (like the Fairchild 670 and Manley Vari Mu), and let me tell you, there is some real magic that happens when your mix goes through a brilliantly-designed piece of tube gear. The midrange thickens, the lows get tighter and rounder, and the top end opens up with a beautiful sparkle… even better, those harsh upper mid overtones seems to get tamed too. For the FG-MU, we put all of these wonderful qualities into the algorithm. To experience FG-MU for the first time you don’t even have to do any compression, as just going through the processor without any gain reduction will reveal a beautiful open sound due to the modeling of the tube circuit path. Even when I’m using the FG-GREY or FG-RED, I love using the VBC Rack just so I can have the audio pass through the FG-MU!

INFO/DEMO/BUY: https://mage.si/vWFN
Virtual Buss Compressors v1.2.9.1 WiN-AudioUTOPiA

McQ v1.8.0 R2 AU VST RTAS AAX MAC REPACK R2R, x86 x64 vst plugins plugins rtas plugins au for mac aax plugins, VST, RTAS, R2R, R2, McQ, MAC OSX, MAC, AU, AAX, 64Bit, 32Bit

McQ v1.8.0 R2 MAC

Team R2R | 2013.12.29 | 13.4 MB


McQ captures the sonic character and functionality of various classic console equalizers such as the versatile MCI console EQs. However, while McQ was inspired by these analog classics, we added several modern features such as adjustable high pass and low pass filters, steepness (resonance) control for the shelving filters, optional bell filters for the low and high bands, and three nominal Q values for the midrange filters. We packed the McQ full of musical features, such as gain following Q factors for the midrange bell type filters. By this, we mean that the Q factor of these filters gradually increases along with increases in boost or attenuation. The McQ is especially suited for deep track tweaking in order to get a desired sound for a track, or to get great track separation in the mix.

McQ also includes our unique second generation SAT(uration) option in the output section. This both protects against digital clipping in software or hardware following the plug-in, and adds a smooth, overdriven sound to hard-driven signals. The SATuration algorithm is located after output level control in McQ’s internal chain and its ceiling reference level is setup a fraction of dB below 0dBFS.

REPACK NOTE: The name of previous keyfile was wrong.

INFO/DEMO/BUY: https://mage.si/xxd4

EQ Package v1.8.0 AAX VST RTAS WiN x86 x64 R2R, x86 x64 windows vst plugins plugins rtas aax plugins, x86, x64, Win, VST, RTAS, R2R, Package, EQs, EQ, AAX

EQ-Package v1.8.0 WiN

TEAM R2R | Dec 16, 2012 | 45.80 MB


– McQ.v1.8.0.x86.x64-R2R
– ClassicQ.v1.8.0.x86.x64-R2R
– preQursor.v1.8.0.x86.x64-R2R
– ConsoleQ.v1.8.0.x86.x64-R2R

INFO/DEMO/BUY: https://mage.si/DS49
EQ-Package v1.8.0 AAX VST RTAS WiN x86-x64-R2R

Guitar Rig 5 Pro v5.1.1 STANDALONE VSTi RTAS x86 x64 WiN MAC R2R, x86 plugins vsti x86 x64 plugins vsti x64 windows vst plugins plugins rtas ni vst plugins native instruments audio software native instruments software audio, x86, x64, Win, VSTi, Standalone, RTAS, Rig, R2R, MAC, Guitar Rig 5 Pro, Guitar Rig 5, Guitar Rig, Guitar

Guitar Rig 5 Pro v5.1.1 WiN MAC

R2R | 28.11.2012 | WiN: 594 MB | MAC: 441.5 MB


GUITAR RIG 5 PRO is the ultimate software solution for perfect custom tone with more amps, more effects and more creative potential than ever before, all in a powerful and intuitive virtual effects rack.

INFO/DEMO/BUY: https://mage.si/42hE
Guitar Rig 5 Pro v5.1.1 STANDALONE VSTi RTAS x86 x64 WiN MAC-R2R

dpMeterXT v1.1.8 AAX VST VST3 STANDALONE x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins software audio aax plugins, x86, x64, Win, VST3, VST, V.R, Standalone, Meter, dpMeterXT, CE, AAX

dpMeterXT v1.1.8 WiN

Team V.R | Sept 02 2017 | 4.6 MB


dpMeterXT is a loudness metering plugin and application fully compliant with the EBU R128, ITU-R BS.1770/1771, ATSC A/85 and several other regionspecific loudness standards. dPMeterXT supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities. It features large readouts, meters, graphs, measurement history anddatalogging. With dpMeterXT, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).

– click-free 64-bit internal processing
– multi channel metering: up to 10 channels, multiple channel configurations
– supports all relevant loudness measurement standards
– multiple presets
– integrated, short term, momentary, TP/peak and LRA/PLR
– True Peak measurement based on ITU BS1770
– K/A/B/C/M/user-defined weighting filter
– continuous/synced measurement
– record metering results as automation data
– large and accurate live meters
– loudness history graph
– reports and CSV data export
– scalable GUI
– customizable GUI colors
– adjustable pre-gain
– loudness/peak/True Peak matching

– PLR: switchable integrated/short term peak to loudness range
– Graph: fixed crash during display update

INFO/DEMO/BUY: https://mage.si/kAh0
dpMeterXT v1.1.8 AAX VST VST3 STANDALONE x86 x64 WiN CE-V.R

Impress v1.9.9 AAX VST VST3 RTAS x86 x64 WiN V.R, windows vst3 plugins vst plugins plugins rtas aax plugins, x86, x64, Win, VST3, VST, V.R, RTAS, Impress, AAX

Impress v1.9.9 WiN

Team V.R | Sept 01 2017 | 3.6 MB


Impress is a wideband stereo compressor including side-chaining, various prefilter options and state-of-the-art over sampling. The goal of the design was to cover a broad range of compression applications in today’s mixing and mastering situations with strong focus on low aliasing. So, Impress could be used to shape subtle a snare sound, glue different tracks on instrument bus and even do complex tasks like deessing or voice over’s.

-Zero latency click-free 64-bit internal processing
-Low aliasing compressor design
-“real” oversampling, up to 8x
-Stereo/left/right/mid/side processing
-External side-chain
-Main signal multiband filter, up to 192 dB/Oct (Linkwitz-Riley design)
-Detector signal prefilter, up to 192 dB/Oct
-2 compressor modes: classic and clean (low aliasing)
-3 gain stage modes: modern, vintage and vintage clean (including thermal noise emulation)
-2 level detection modes: peak and RMS
-Short/long attack/release times
-Low aliasing soft knee
-Limit gain reduction
-Flexible signal monitoring

– Code optimizations


INFO/DEMO/BUY: https://mage.si/jD0B
Impress v1.9.9 AAX VST VST3 RTAS x86 x64 WiN-V.R

AB LM v1.4.8 RTAS AAX VST VST3 WiN V.R, windows vst3 plugins vst plugins plugins rtas aax plugins, Win, VST3, VST, V.R, RTAS, CE, AB LM, AAX


Team V.R | Sept 01 2017 | 3 MB

AB_LM is a gain control which enables level matched and sample accurate AB comparison of FX chains. Plugin (FX) or even a complex FX chain to the sound. Most DAWs can easily enable/disable (AB) single plugins or even whole FX chains, but in most case there is an audible loudness difference between both cases. In order to compare the impact of a plugin chain objectively the loudness of the incoming signal should match with the loudness of outgoing signal. Comparing the plugin effect at equal loudness levels avoids the “louder is better” – pitfall.

Mode & Link Channel
Sets the mode of the plugin, either Sender or Receiver and the link channel for the communication. Sender is placed before the plugin(s) which should be AB level matched, Receiver is inserted after.

Latency Compensation
Some plugins add latency to the plugin chain. For a sample-exact AB loudness comparison audio streams need to be synchronized. This can be done automatically (just press PDC button and wait 1-2 seconds) or manually by entering the latency value (in samples).

Pre-FX Loudness
This meter shows the current and maximum loudness of the audio stream just before the plugin(s). Many plugins work best at a certain loudness level (e.g. -18 dBFS)

Post-FX Gain
This meter shows the loudness difference of pre and post-FX signal. The match button lets you set the additional post-FX gain (match mode “manual”) based on current loudness difference. Match mode “Auto” does this automatically.

Match Modes
AB-LM lets you match the loudness either manually, or automatically.
The mode “Gain Stage” works differently: The additional FX drive gain is just removed from the audio stream right after the FX chain for “pure” gain staging purposes.

Snapshot Slots
AB_LM provides 4 snapshot slots to store and recall settings for FX drive and Post-FX gain. So you can test your plugin chain with different gain levels, all loudness matched.

FX Drive
This parameter adjusts the additional pre-FX gain.

AB Switch
This button lets you seamless switch between pre and pre-FX audio signal.

Pre-FX Gain
This meter shows how close the loudness of the incoming signal is matched with a certain reference level. Many engineers work with loudness calibrated audio systems.


  • match pre and post-FX loudness
  • match pre-FX loudness with reference level
  • 3 loudness match modes: manual, auto and gain stage
  • FX chain drive
  • up to 16 sender/receiver pairs
  • automatic latency measurement/compensation
  • adjustable RMS measurement window
  • bypass AB_LM
  • 4 snapshot slots
  • very CPU friendly
  • large and easy to use GUI

1.4.8– AAX: button hang fix

– Code optimizations

INFO/DEMO/DEMO: https://mage.si/MqD4

LA xLimit II v1.2.5 AAX RTAS VST VST3 CE x86 x64 WiN V.R, x86 x64 windows vst3 plugins vst plugins plugins rtas aax plugins, xLimit, x86, x64, Win, VST3, VST, V.R, RTAS, LA, CE, Brick Wall, AAX

LA xLimit II v1.2.5 WiN

Team V.R | Sept 01 2017 | 4.6 MB


LA xLimit II is an advanced look ahead, wideband linked-stereo limiter including ISP (inter sample peak) detection and oversampling. LA xLimit II is the successor of LA xLimit, our very popular look ahead limiter. It offers more control over transients and adaptive release curves. It also adds a second limiter stage for better performance in ISP detection mode. The goal of the design was to cover a broad range of limiting applications in today’s mixing and mastering situations with strong focus on low aliasing.

LA xLimit II is specifically designed for mastering, digital editing, multimedia, and any application that requires limiting of the digital signal with top notch quality and lowest aliasing. LA xLimit II guarantees ultra fast and overshot free response by using advanced look ahead algorithms.

In order to fulfill today’s TV, broadcast and music production requirements LA xLimit II offers True-Peak limiting (ISP) based on ITU-1770 specification and on top of it up to 8x “real” oversampling. Combined with True-Peak limiting reaches even highest production standards.

LA xLimit II includes an advanced adaptive release control system which reduces massively artifacts caused by fixed release times. In order to increase limiting sensitivity both stereo channels can be freely linked/unlinked.

LA xLimit II is designed to be used as last plugin in the processing chain (brick-wall limiting).

– Code optimizations

– AAX: parameter change fix

INFO/DEMO/BUY: https://mage.si/4Dm0
LA xLimit II v1.2.5 AAX RTAS VST VST3 CE x86 x64 WiN-V.R


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