D.A Plugins Bundle v2017.06 WiN R2R, x86 x64 windows vst plugins, x86, x64, Win, VST, R2R, Plugins Bundle, Plugins, D.A, Bundle, 2017

D.A Plugins Bundle v2017.06 WiN

Team R2R | 24 Jun 2017 | 21.5MB

WiN32/64 – VST

Contents:
* DeeComp v2.1.2
* DeeEQ v1.0.3
* DeeFat v2.0.0
* DeeFX v1.0.2
* DeeGain v1.1.0
* DeeGate v1.1.0
* DeeMax v2.2.0
* DeePanpot v2.1.1
* DeeSpeaker v1.0.5
* DeeTrim v2.1.0

INFO/DEMO: http://redi.se/3gx8
D.A Plugins Bundle v2017.06 WiN-R2R
http://beelink.in/31964/D.A-Plugins-Bundle-v2017.06-WiN-R2R.html

dEQ6 v1.1.4 AAX RTAS VST3 VST x86 x64 WiN R2R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, Win, VST3, VST, RTAS, R2R, Equalizer, EQ, dEQ6, CE, AAX

dEQ6 v1.1.4 WiN

Team R2R | 24 Jun 2017 | 3.7 MB

x32 x64 AAX RTAS VST3 VST

dEQ6, a 6 band stereo/MS dynamic equalizer with high quality oversampling and accurate spectrum analyzer.

dEQ6 offers following features:

  • 6 independent filter + compressor/expander
  • 3 filter types, analogue design, minimal phase, zero delay
  • many comfort functions to setup multiple bands
  • stereo/MS processing
  • side chain support
  • sample rates up to 192 kHz
  • “real” over sampling, up to 4x
  • hi-res spectrum analyzer with 32k FFT, ISO R40 based
  • pre/post-EQ, average/live spectrum, stereo/left/right/mid/side
  • narrow-band sweeping mode
  • spectrum freeze mode
  • very easy alignment of filter response curve to audio spectrum
  • precise parameter input
  • large and easy to use GUI
  • interactive spectrum/EQ display
  • 64-bit internal processing
  • very efficient CPU usage design

System Requirements:
– Windows XP or newer
– Win: 32/64 Bit VST, 32/64 Bit VST3, 32 Bit RTAS, 32/64 Bit AAX
– Tested with: Cockos Reaper, Steinberg Cubase/Nuendo/Wavelab 6/7/8, ProTools 10/12

Changelog:
1.1.4
– code optimizations

1.1.3
– PDC optimizations for small ASIO buffers

INFO/DEMO: http://redi.se/3cws
dEQ6 v1.1.4 AAX RTAS VST3 VST x86 x64 WiN-R2R
http://beelink.in/26778/dEQ6-v1.1.4-AAX-RTAS-VST3-VST-x86-x64-WiN-R2R.html

AB LM v1.4.7 RTAS AAX VST VST3 WiN R2R, windows vst3 plugins vst plugins plugins rtas aax plugins, Win, VST3, VST, RTAS, R2R, CE, AB LM, AAX

AB_LM v1.4.7 RTAS AAX VST VST3 WiN

Team R2R | 24 Jun 2017 | 3.7 MB

AB_LM is a gain control which enables level matched and sample accurate AB comparison of FX chains. Plugin (FX) or even a complex FX chain to the sound. Most DAWs can easily enable/disable (AB) single plugins or even whole FX chains, but in most case there is an audible loudness difference between both cases. In order to compare the impact of a plugin chain objectively the loudness of the incoming signal should match with the loudness of outgoing signal. Comparing the plugin effect at equal loudness levels avoids the “louder is better” – pitfall.

Mode & Link Channel
Sets the mode of the plugin, either Sender or Receiver and the link channel for the communication. Sender is placed before the plugin(s) which should be AB level matched, Receiver is inserted after.

Latency Compensation
Some plugins add latency to the plugin chain. For a sample-exact AB loudness comparison audio streams need to be synchronized. This can be done automatically (just press PDC button and wait 1-2 seconds) or manually by entering the latency value (in samples).

Pre-FX Loudness
This meter shows the current and maximum loudness of the audio stream just before the plugin(s). Many plugins work best at a certain loudness level (e.g. -18 dBFS)

Post-FX Gain
This meter shows the loudness difference of pre and post-FX signal. The match button lets you set the additional post-FX gain (match mode “manual”) based on current loudness difference. Match mode “Auto” does this automatically.

Match Modes
AB-LM lets you match the loudness either manually, or automatically.
The mode “Gain Stage” works differently: The additional FX drive gain is just removed from the audio stream right after the FX chain for “pure” gain staging purposes.

Snapshot Slots
AB_LM provides 4 snapshot slots to store and recall settings for FX drive and Post-FX gain. So you can test your plugin chain with different gain levels, all loudness matched.

FX Drive
This parameter adjusts the additional pre-FX gain.

AB Switch
This button lets you seamless switch between pre and pre-FX audio signal.

Pre-FX Gain
This meter shows how close the loudness of the incoming signal is matched with a certain reference level. Many engineers work with loudness calibrated audio systems.

Features

  • match pre and post-FX loudness
  • match pre-FX loudness with reference level
  • 3 loudness match modes: manual, auto and gain stage
  • FX chain drive
  • up to 16 sender/receiver pairs
  • automatic latency measurement/compensation
  • adjustable RMS measurement window
  • bypass AB_LM
  • 4 snapshot slots
  • very CPU friendly
  • large and easy to use GUI

Changelog:
1.4.7
– Code optimizations

1.4.6
– GainStaging: remove PreGain during AB off

1.4.5
– DSP code optimizations

1.4.4
– Gain staging fix: add. PreFXGain compensated
– VU Metering

INFO/DEMO: http://redi.se/3bse
AB_LM v1.4.7 RTAS AAX VST VST3 WiN-R2R
http://beelink.in/25892/AB-LM-v1.4.7-RTAS-AAX-VST-VST3-WiN-R2R.html

CS 3301 v1.3.5 AAX RTAS VST3 VST WiN R2R, windows vst3 plugins vst plugins plugins rtas aax plugins, Win, VST3, VST, RTAS, R2R, CS 3301, CE, AAX

CS-3301 v1.3.5 WiN

Team R2R | 24 Jun 2017 | 4.3 MB

AAX RTAS VST3 VST

CS-3301 is a channel strip plugin with gate, EQs, compressor, saturation and oversampling. The (noise) gate suppresses noise or any other signal below a certain level. CS-3301 comes with 7 independent filter shaping the sound accurately.The compressor controls the dynamics of the signal. The VU meter monitors level of input/output signal and gain reduction of the compressor.

Features
– Noise gate
– 7 band EQ
– Compressor
– Saturation
– VU meter
– HQ oversampling
– Thermal noise for analog sound emulation
– Large and easy to use GUI
– 64-bit internal processing
– Very efficient CPU usage design

Changelog:
1.3.5
– EQ parameter smoothing optimized

1.3.4
– Additional CPU optimizations
– EQ parameter smoothing

* – modified AAX work only @ AudioUTOPiA release ProTools

INFO/DEMO: http://redi.se/3dvg
CS-3301 v1.3.5 AAX RTAS VST3 VST WiN-R2R
http://beelink.in/27579/CS-3301-v1.3.5-AAX-RTAS-VST3-VST-WiN-R2R.html

GainRider2 v1.0.3 VST2 VST3 RTAS AAX WiN R2R, windows vst3 plugins vst plugins plugins rtas aax plugins, Win, VST3, VST2, VST, side chain, RTAS, Rider, R2R, pre delay, Loudness, Leveling, GainRider, Gain, ducking, CE, AAX

GainRider2 v1.0.3 WiN

Team R2R | June 24 2017 | 4.1 MB

VST2/VST3/RTAS/AAX

Gainrider 2 is a (vocal-) gain riding tool which gives fully control over the gain riding process. GainRider 2 is the successor of GainRider, our very popular gain riding popular. It offers more ride algorithms and reduces plugin delay.

Total control
Gainrider 2 lets you control all aspects of the gain riding process, for the perfect ride!

Total insight
Gainrider 2 gives detailed visual feedback, how your signal is processed, for the perfect ride!

Features
– 3 ride modes: loudness leveling, ducking, loudness leveling to side-chain
– Detailed control of gain change (speed, pre-delay, min, max, idle).
– Flexible pre-delay including zero delay mode.
– Loudness measurement based on EBUR128 ML
– Large display to monitor visually impact of plugin parameters.
– Flexible pre-filter.
– Side chaining (VST3/RTAS/AAX/AU) or channel 3+4 (VST2).
– Read/Write automation data.
– A/B control.

ChangueLog:
1.0.3:
– Code optimzations

1.0.2:
– AAX fix for write automation data

1.0.1:
– Fix Logic Pro, Write Automation Data

1.0:
– Initial release

…modified AAX work only @ AudioUTOPiA release ProTools

INFO/DEMO: http://redi.se/3d5u
GainRider2 v1.0.3 VST2 VST3 RTAS AAX WiN-R2R
http://beelink.in/27062/GainRider2-v1.0.3-VST2-VST3-RTAS-AAX-WiN-R2R.html

gEQ12 v1.3.9 AAX RTAS VST3 VST WiN R2R, windows vst3 plugins vst plugins plugins rtas aax plugins, Win, VST3, VST, RTAS, R2R, gEQ12, EQ, CE, AAX

gEQ12 v1.3.9 WiN

Team R2R | June 24 2017 | 3.8 MB

gEQ12 is 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the tone of a track , bus or master track. eEQ12 provides all necessary tools in one package paired with some unique features. The display shows the spectrum curve of incoming and outgoing signal. gEQ12 has the unique feature that the outgoing spectrum is directly calculated from incoming spectrum (incoming spectrum – filter curve = outgoing spectrum). This allows you to capture the incoming signal, to freeze it and to modify then the filter curve based on the altered outgoing spectrum. The filter response is controlled by 12 individual filter bands. Each filter band has its own display handle, which can be adjusted by mouse.

gEQ12 consists of 12 stereo filter in series. Each filter can be configured individually by setting type, stereo placement (all, left/mid and right/side), slope, frequency, gain and q-factor. gEQ12 offers 9 analog modeled and 8 digital (Butterworth) filter. The filter quality can be increased by using oversampling. This ensures “analog” filter magnitude/phase response near Nyquist frequency. On top of it gEQ12 can operate in several minimum or linear phase modes, which can lower CPU usage and makes filter phase response linear.

Features:

  • 12 independent filter bands, extended frequency range 10Hz – 48kHz
  • 17 filter types, analog/digital design, zero delay IIR
  • filter slope up to 96dB
  • independent stereo/left/right/mid/side processing per band
  • 7 processing modes: zero latency, minimum/linear phase
  • stereo/MS processing (e.g. stereo/mono split)
  • sample rates up to 192 kHz
  • “real” over sampling, up to 4x
  • hi-res spectrum analyzer with 32k FFT based ISO R40 frequencies
  • pre/post-EQ, average/live spectrum, stereo/left/right/mid/side
  • narrow-band sweeping mode
  • spectrum freeze mode
  • very easy alignment of filter response curve to audio spectrum
  • sample exact A/B toggle for all processing modes
  • precise parameter input
  • large and easy to use GUI
  • interactive spectrum/EQ display
  • full DAW automation support, smooth filter frequency change
  • 64-bit internal processing
  • very efficient CPU usage design

Changelog
1.3.9
– small code optimizations

1.3.8
– DSP code optimizations

NOTE: Modified AAX work only @ AudioUTOPiA release ProTools

INFO/DEMO: http://redi.se/3bn9
gEQ12 v1.3.9 AAX RTAS VST3 VST WiN-R2R
http://beelink.in/25808/gEQ12-v1.3.9-AAX-RTAS-VST3-VST-WiN-R2R.html

Impress v1.9.8 AAX VST VST3 RTAS x86 x64 WiN R2R, windows vst3 plugins vst plugins plugins rtas aax plugins, x86, x64, Win, VST3, VST, RTAS, R2R, Impress, AAX

Impress v1.9.8 WiN

Team R2R | June 24 2017 | 3.3 MB

AAX VST VST3 RTAS x86 x64

Impress is a wideband stereo compressor including side-chaining, various prefilter options and state-of-the-art over sampling. The goal of the design was to cover a broad range of compression applications in today’s mixing and mastering situations with strong focus on low aliasing. So, Impress could be used to shape subtle a snare sound, glue different tracks on instrument bus and even do complex tasks like deessing or voice over’s.

Features
-Zero latency click-free 64-bit internal processing
-Low aliasing compressor design
-“real” oversampling, up to 8x
-Stereo/left/right/mid/side processing
-External side-chain
-Main signal multiband filter, up to 192 dB/Oct (Linkwitz-Riley design)
-Detector signal prefilter, up to 192 dB/Oct
-2 compressor modes: classic and clean (low aliasing)
-3 gain stage modes: modern, vintage and vintage clean (including thermal noise emulation)
-2 level detection modes: peak and RMS
-Short/long attack/release times
-Low aliasing soft knee
-Lookahead
-Limit gain reduction
-Dry/wet
-Flexible signal monitoring

Changuelog:
1.9.8
– Code optimizations

1.9.7
– Hold parameter added
– VST3 preset management improved

1.9.6
– DSP code optimizations

1.9.5
– PDC optimizations for small ASIO buffers
– Latency optimizations

INFO/DEMO: http://redi.se/37ka
Impress v1.9.8 AAX VST VST3 RTAS x86 x64 WiN-R2R
http://beelink.in/22941/Impress-v1.9.8-AAX-VST-VST3-RTAS-x86-x64-WiN-R2R.html

LA xLimit II v1.2.3 AAX RTAS VST3 VST WiN R2R, windows vst3 plugins vst plugins plugins rtas aax plugins, xLimit, Win, VST3, VST, RTAS, R2R, LA, CE, AAX

LA xLimit II v1.2.3 WiN

Team R2R | June 24 2017 | 5.4 MB

LA xLimit II is an advanced look ahead, wideband linked-stereo limiter including ISP (inter sample peak) detection and oversampling. LA xLimit II is the successor of LA xLimit, our very popular look ahead limiter. It offers more control over transients and adaptive release curves. It also adds a second limiter stage for better performance in ISP detection mode. The goal of the design was to cover a broad range of limiting applications in today’s mixing and mastering situations with strong focus on low aliasing.

Design
LA xLimit II is specifically designed for mastering, digital editing, multimedia, and any application that requires limiting of the digital signal with top notch quality and lowest aliasing. LA xLimit II guarantees ultra fast and overshot free response by using advanced look ahead algorithms.

In order to fulfill today’s TV, broadcast and music production requirements LA xLimit II offers True-Peak limiting (ISP) based on ITU-1770 specification and on top of it up to 8x “real” oversampling. Combined with True-Peak limiting reaches even highest production standards.

LA xLimit II includes an advanced adaptive release control system which reduces massively artifacts caused by fixed release times. In order to increase limiting sensitivity both stereo channels can be freely linked/unlinked.

LA xLimit II is designed to be used as last plugin in the processing chain (brick-wall limiting).

Features

  • state of the art low aliasing look ahead limiter design
  • [new] freely adjustable limiter character
  • [new] detailed transient control
  • [new] freely adjustable adaptive release curves
  • level detection modes: peak and ISP based on ITU 1770
  • “real” oversampling, up to 8x
  • stereo link
  • [new] 2 stage design for better performance in ISP mode
  • built-in clipper
  • easy to use GUI
  • large and accurate live meters
  • all sample rates

Changelog:
1.2.3
– TP-Detection improved

1.2.2
– DSP code optimizations

1.2.1
– Small code optimizations
– Crackles reduced during parameter change

NOTE: Modified AAX work only @ AudioUTOPiA release ProTools

INFO/DEMO: http://redi.se/3bna
LA xLimit II v1.2.3 AAX RTAS VST3 VST WiN-R2R
http://beelink.in/25809/LA-xLimit-II-v1.2.3-AAX-RTAS-VST3-VST-WiN-R2R.html

Stereoizer v3.2.9 AAX AU VST VST3 RTAS WiN MAC R2R, windows vst3 plugins vst plugins plugins rtas nugen audio macos plugins au for mac aax plugins, Win, VST3, VST, Stereoizer, RTAS, R2R, OSX, MAC OSX, MAC, AU, AAX

Stereoizer v3.2.9 WiN MAC

Team R2R | 14 Jun 2017 | WiN: 13.3 MB | OSX: 42.8 MB

Rapid, intuitive access to the big sound all professionals strive for. Stereoizer hits the bullseye, with the assurance of superb mono compatibility and no unwanted artifacts. Stereoizer offers you the full range of stereo image enhancement, from gentle width adjustments to huge dynamic ambiences that transform the soundstage. With visual audio analysis feedback and a clear, logical control layout, Stereoizer is satisfying to use and gives great results with the minimum of effort.

Smooth, rich and mono compatible
Stereoizer is a high-specification stereo image manipulation tool suitable for natural expansion, reduction and introduction of stereo width at any stage of the audio production process. Developed for and tested by professional audio engineers, Stereoizer adds natural sounding width and depth to any audio recording, mono or stereo, leaving the inherent character of the original source intact. If you want a more coherent sound with polish and spatial balance but without adding artificial reverberation, chorusing or delay – Stereoizer is for you.

Mix | Sound Design

  • Expanding narrow stereo spectra
  • Introducing width to mono recordings
  • Enhancing the depth of FX return channels
  • Reigning in over enthusiastic spot FX
  • Creating ‘centre space’
  • Settling ‘forward’ sounds
  • Generating panoramic ambience
  • Adding richness and gloss
  • Re-focussing central solidity
  • Avoiding heavy EQ and/or compression
  • Opening up cluttered frequencies
  • Fixing poorly positioned mic.’s
  • Adding depth, width and space to specific tracks
  • Enlivening static sounds

Mastering | Post | Restoration

  • Natural extrapolation of existing image
  • Frequency specific enhancement
  • Re-balancing
  • Taming eccentric material
  • Re-introduction of natural ambience
  • Firmly define existing stereo spectrum
  • Avoid changing the character with unnecessary EQ
  • Neutral stereo expansion/contraction
  • Subtle blending of inserts and returns
  • Pychoacoustic sweetening of frequency crowns

INFO/DEMO: http://redi.se/3c25
Stereoizer v3.2.9 AAX AU VST VST3 RTAS WiN MAC-R2R
http://beelink.in/26113/Stereoizer-v3.2.9-AAX-AU-VST-VST3-RTAS-WiN-MAC-R2R.html

SEQ S Bundle v1.2.1 WiN MAC R2R, x86 x64 windows vst3 plugins vst plugins plugins rtas nugen audio macos plugins au for mac aax plugins, Win, VST3, VST, SEQ S, RTAS, R2R, MAC, Bundle, AU, AAX

SEQ-S Bundle v1.2.1 WiN MAC

Team R2R | 14 Jun 2017 | WiN: 28,32 MB | OSX: 153,68 MB

AAX AU VST VST3 RTAS

SEQ-S Linear Phase EQ is a plug-in that provides sonic sculpting and EQ matching up to 7.1, with stereo mid-side operation and automated spectrum analysis. The software allows for manipulating and correcting any audio with higher resolution than can be achieved with a traditional parametric EQ interface. A direct-draw interface and detailed spectrum analysis make it easy to quickly identify and specifically fine-tune audio. Additionally EQ matching via sonic fingerprinting provides some unique possibilities. The plug-in can be used to match one recording to another by capturing the “flavor” of the source audio and then transferring it to the current work. This is especially useful for restoration and harmonization work. Or same technique can be applied to individual tracks to unify different takes, microphone positions, and more.

EQ Invert control delivers a minimally-invasive technique for creating space in a complex mix where traditional EQs are just too destructive. By “sampling” the vocal and applying the inverted curve to the backing, specific space can be gently created without unnecessarily altering the original tonality of the underlying audio. A “Quality Setting” provides extra precision in the low frequencies, allowing for highly transparent adjustments without muddying the mix. The resolution can be scaled to suit any task.

Linear Phase Technology
– Transparent sound without phase smearing
– Sharper transients
– No phase warping

High Specification Match EQ
– Match different takes and environments
– Mono, stereo, 5.1 and 7.1 operation
– Clone source EQ to target mix

Create Specific EQ Spaces
– Invert facility to sculpt specific space
– Mid/Side options available
– Individual surround channel access

Precise and Scalable
– Easily generate complex curves
– Curve scale and smoothing
– Intuitive zoom-able interface

INFO/DEMO: http://redi.se/3het
SEQ-S Bundle v1.2.1 WiN MAC-R2R
http://beelink.in/32855/SEQ-S-Bundle-v1.2.1-WiN-MAC-R2R.html

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