Valhalla VintageVerb v1.7.1 WiN MAC, x86 x64 windows vst plugins plugins rtas macos plugins au for mac, x86, x64, Win, VST, VintageVerb, Vintage, Verb, Valhalla, RTAS, Reverb, MAC, AU, 64Bit, 32Bit

VintageVerb v1.7.1 WiN MAC

P2P | 15.05.2017 | WiN: 4.16 MB

R2R-based | AU/VST/RTAS 32/64 | MAC: 11.50 MB

ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s. New in ValhallaVintageVerb 1.7.1: Two new reverb modes, Chaotic Hall and Chaotic Chamber!

17 Reverb Algorithms:

  • Concert Hall. Based on the hall algorithms of the late 1970s and early 1980s. Huge spatial image, echo density that can be adjusted from very sparse to very dense, and lush chorusing modulation.
  • Bright Hall. Similar to the Concert Hall algorithm, but with a brighter initial sound, and deeper and lusher modulation.
  • Plate. Inspired by early 1980s plate algorithms. Highly diffuse, bright initial sound, high echo density, lush chorused modulation.
  • Room. Emulates the sound of early 1980s room algorithms. Medium diffusion/early echo density, somewhat darker sound, chorused modulation.
  • Chamber. A transparent and dense algorithm. Highly diffuse, high echo density, less coloration than Plate/Room algorithms, chorused modulation.
  • Random Space. This generates DEEP and WIDE reverbs, with a slow attack, and more diffusion than the late 1980s algorithms that inspired it. The modulation uses internal delay randomization, to reduce metallic artifacts without the pitch change that can occur in the algorithms with chorused modulation.
  • Chorus Space. Same as Random Space, but with the delay randomization replaced with lush chorused modulation.
  • Ambience. Combines time varying randomized early reflections with a full-featured reverb tail, with the balance between early and late reverb controlled by the Attack knob. Useful for adding “air” to drums, vocals, and any place where a reverb should be felt but not heard.
  • Sanctuary. Inspired by a classic German digital reverberator from the 1970s. Discrete early reflections, a dense late reverb that rapidly builds in echo density, lush detuned modulation. Sanctuary incorporates the bit reduction and floating-point gain control used in the A/D and D/A convertors of the early digital hardware.
  • Dirty Hall. A fresh look at the Concert Hall algorithm, with the goal being to emulate the strange fixed point and convertor artifacts of early 80s reverb hardware. Lusher and denser than the Concert Hall algorithm, with loads of warmth and grit on tap, for a roughly hewn beauty. Plug in your analog synth and send yourself into retro sci-fi heaven.
  • Dirty Plate. All the warm and gritty artifacts of Dirty Hall, applied to an old-school digital plate algorithm. High echo density, wide stereo image, and just the right amount of metallic sheen. Drums come alive when sent through Dirty Plate.
  • Smooth Plate. The complete opposite of Dirty Plate. Smooth decay at all settings, from short to near-eternal. Lush chorusing, with none of the metal found in Dirty Plate. The most transparent and naturalistic reverb in ValhallaVintageVerb. Crank up the Size parameter, and float off into space!
  • Smooth Room. A smooth and transparent room reverb, in the Smooth Plate style. Useful for emulating the Room/Hall algorithms of late 1980s hardware, as well as getting clear reverberation with low amounts of coloration.
  • Smooth Random. A random room/hall algorithm, with transparent decays that can be adjusted from tiny to huge. Randomized delay modulation, similar to Random Space, but with a much tighter initial attack and smoother decay. A good “jack of all trades” reverb algorithm.
  • Nonlin. Gated, reverse, and nonlinear reverbs are all on tap here. Use Size to control the duration of the reverb, and Attack to smoothly interpolate between a truncated reverb, a “flat” gated decay, and huge reverse reverbs. Lush chorusing modulation on tap, for your shoegazing needs.
  • Chaotic Hall (new in 1.7.1). A chaotic take on the Concert Hall algorithm, with modulation and saturation artifacts inspired by classic tape echoes. Lush and warm, with subtle wow and flutter chorusing that adds depth without making your reverb seasick.
  • Chaotic Chamber (new in 1.7.1). Smooth and chaotic at the same time. A relatively “dimensionless” reverb algorithm, that adds depth to your sound. Wow and flutter modulation, subtle tape saturation. Use this algorithm on pretty much any input, and it will sound good.

3 Color Modes for dialing in the tone color and sonic artifacts of a specific reverb era:

  • 1970s. Replicates the reduced bandwidth of the earliest digital reverberators (10 kHz maximum output frequency). Downsampled internally, to reproduce the artifacts of running at a lower sampling rate. The modulation is dark and noisy, and can produce strange and random sidebands with sustained notes. This is intentional.
  • 1980s. Full bandwidth / sampling rate, for a brighter sound than the 1970s. The modulation is still dark and noisy, but will produce different artifacts than the 1970s mode as it is running at the full sampling rate.
  • NOW. Full bandwidth / sampling rate. The modulation is clean and colorless, versus the funky artifacts of the 1970s/1980s modes.

The interface has been designed to be instantly accessible and user friendly:

  • Streamlined set of powerful parameters, organized into logical categories.
  • All controls on one panel. No menu diving required.
  • Tooltips at the bottom of the plugin window, that describe the currently selected reverb mode and color mode, as well as any parameters the user is adjusting. The goal is for the plugin to be self-documenting.
  • A powerful cross-platform preset menu, with the ability to copy and paste presets in a text format. Share presets via emails, forum posts, etc.
  • Continuously resizable – just click on the lower right corner and drag to the desired size.
  • Modernist, minimalist 2D graphic design.
  • New in 1.7.1: Click on the “GUI Mode” text in the upper right corner of the NOW color mode, to switch between the original black-on-white color scheme, and the brand new white-on-black GUI.

INFO/DEMO: http://redi.se/3h91
Valhalla VintageVerb v1.7.1 WiN MAC
http://beelink.in/32513/Valhalla-VintageVerb-v1.7.1-WiN-MAC.html

ValhallaRoom v1.5.1 WiN MAC, x86 x64 windows vst plugins plugins rtas macos plugins au for mac, x86, x64, Win, VST, Valhalla Room, Valhalla, RTAS, Room, Reverb, AU, 64Bit, 32Bit

ValhallaRoom v1.5.1 WiN MAC

P2P | 15.05.2017 | VST x86 x64 | WiN: 3.46 MB

R2R-based | AU/VST/RTAS 32/64 | MAC: 11.19 MB

An algorithmic vision of perfection and precision. It’s Grade A class, Number One in its division. ValhallaRoom is a versatile, true stereo algorithmic reverb. It features twelve original reverberation algorithms (including the latest Dark reverb modes, Nostromo, Narcissus, Sulaco and LV-426), and produces a wide range of natural reverberation sounds. Sounds range from tight ambiences and rooms, through traditional hall and plate sounds, all the way up to vast modulated spaces. The algorithm designs have been influenced by some of the “classic” room simulation boxes, as well as state of the art modern theory.

Description:

  • Unique Early reverb section allows user to dial in subtle and short bursts of early reverberation energy, as well as gated reverbs up to 1 second in length.
  • The Late section produces natural reverb decays ranging from 0.1 seconds to 100 seconds. The decay can be controlled in 3 adjustable frequency bands.
  • Both Early and Late reverb sections have adjustable modulation, to produce sounds ranging from lush chorusing, to subtle and natural long decays.
  • ValhallaRoom is true stereo. The Early and Late reverb sections are both stereo-in, stereo-out. The spread of energy between the stereo channels can be controlled over time, which helps preserve the input spatial image.
  • The GUI has been designed for easy navigation, and is inspired by Joseph Müller-Brockmann, NASA control panels, and Sesame Street.
  • Resizable GUI. Make it really big, or really tiny, or whatever suits you best.
  • New in 1.5.1: Redesigned GUI! Better use of space, and 2 user-selectable color schemes (Electric Blue and Old School).
  • A comprehensive preset browser makes saving, recalling and sharing settings easy.
  • Fully compatible with 32 and 64 bit DAWs (32/64 bit VST for OSX and Windows, 32/64 bit Audio Units for OSX, 32-bit RTAS for OSX and Windows, 64-bit AAX for OSX and Windows).
  • Twelve original reverberation algorithms:
    • Large Room. Designed to emulate big rooms with a wide spatial impression, with smooth “detuning” modulation.
    • Medium Room. Sparser than Large Room, with a more random modulation.
    • Bright Room. A lush, shinier-than-life reverb, with deep modulation and a somewhat slower attack.
    • Large Chamber. Smooth decay with consistent high echo density and subtle detuning modulation.
    • Dark Room. A hybrid between the grungy early digital reverbs and the modern algorithms found in ValhallaRoom, with reduced high frequency content, noisy yet lush randomized modulation, a HUGE spatial image, echo density ranging from grungy to dense while retaining clarity, and tons of mojo.
    • Dark Chamber. Similar to the original Large Chamber algorithm, but bigger and darker, with deeper detuning modulation.
    • Dark Space. A HUGE dark space, with a somewhat sparser early echo density and deep detuning modulation.
    • Nostromo. Deep, dark, echoing reverb. Very sparse early echo density, slow density build, random modulation, wide spatial image.
    • Narcissus. Dark, lush, wide, with random modulation that quickly builds into rich chorusing. The little sibling of Nostromo, but it is still big. Designed for low CPU consumption.
    • Sulaco. Dark with lush modulation, and a well-centered stereo image. The Late Size control can sweep the reverb from tight rooms to vast echoing spaces.
    • LV-426. A dark, deep space reverb, with the wide spatial image of Nostromo and Narcissus, but with a much higher initial echo density than either of those reverbs. LV-426 has a somewhat slower attack than the other modes, and has highly diffuse random modulation for lush decays.
    • Dense Room. Similar to Large Room, but with a denser distribution of early echos, and a tone that is brighter while still having the “darkness” of the Dark algorithms. Great for snare drums!

INFO/DEMO: http://redi.se/3h90
ValhallaRoom v1.5.1 WiN MAC
http://beelink.in/32512/ValhallaRoom-v1.5.1-WiN-MAC.html

KCNCrew Pack 2017 05 15 UB macOS, mac ub plugins macos apps, UB, Pack, KCNCrew Pack, KCNCrew, 2017

KCNCrew Pack 2017 05 15 UB macOS, mac ub plugins macos apps, UB, Pack, KCNCrew Pack, KCNCrew, 2017

KCNCrew Pack 2017-05-15 UB macOS

P2P | 15.05.2017 | 5.62 MB

Database of serials, Crcks for MAC OS X

Here is the well-known KCNcrew Pack (database of serials, crcks for Mac OS X). It’s like Serial Box, which has SN’s, crcks and patches. It would be best to have both of these collections, as this Pack often has serials you cannot find in the Serial Box. However, there is no way to view what serials, cracks and patches are new in this issue as compared to the previous.

KCNCrew Pack 2017 05 15 UB macOS, mac ub plugins macos apps, UB, Pack, KCNCrew Pack, KCNCrew, 2017

Description: Open the dmg file, drag and drop the app where you like. However, there is no way to view what serials, crcks and patches are new in this issue as compared to the previous.
Mac Platform: UB
Includes: Only the application or game is included
OS version: Mac OS X 10.4 or later or maybe lower
Release Name: KCNCrew Pack 2017-05-15 UB macOS
http://beelink.in/17604/KCNCrew-Pack-2017-05-15-UB-macOS.html

MidiKit v4.2 macOS TNT, macos software audio apps, TNT, MidiKit, MIDI, macOS, MAC, Kit

MidiKit v4.2 macOS

TNT | 14 May 2017 | 3.94 MB

MidiKit is a MIDI file browser/editor and batch processor. The browser quickly displays the most significant information about MIDI files. The editor allows native SMF editing with unlimited undo/redo capacity. Finally, MidiKit allows you to apply several operations on your MIDI files by batch processing entire disks at a time.

What’s New in Version 4.2
– The text encoding of a MIDI document may now automatically be detected (requires OS X 10.10 o later).
– You can now convert a whole MIDI document text/lyrics to UTF-8.

Bug Fixes:
– Key signature meta event is now correctly handled.
– Fixed a crash which could occur when undoing an edit in a MIDI document.
– Fixed a crash which occurred when pasting data inside an empty MIDI document.
– Other bug fixes.

INFO/DEMO: http://redi.se/3h94
MidiKit v4.2 macOS-TNT
http://beelink.in/32525/-MidiKit-v4.2-macOS-TNT.html

Complete v9.6 9 May 2017 MAC, x86 x64 vsti vst3 plugins vst plugins plugins rtas macos software audio plugins au for mac aax plugins, VST3, VST, Standalone, RTAS, PlatenseSoul, MAC, Complete, AU, AAX, 64Bit, 32Bit, 2017

Complete v9.6 9 May 2017 MAC

PlatenseSoul | 10.05.2017 | 2.76 GB

AU/VST/VST3/AAX/RTAS/STANDALONE 32/64

eMotion LV1 is a revolutionary digital mixing console for front-of-house, monitor and broadcast engineers. Based on SoundGrid technology, this software mixer delivers the superior sound quality for which is renowned, as well as the quick and convenient workflow needed in demanding live environments.

Complete v9.6 9 May 2017 MAC, x86 x64 vsti vst3 plugins vst plugins plugins rtas macos software audio plugins au for mac aax plugins, VST3, VST, Standalone, RTAS, PlatenseSoul, MAC, Complete, AU, AAX, 64Bit, 32Bit, 2017

May 9th, 2017/Changues:
– The new Grand Rhapsody Piano available separately.

INFO/DEMO: https://goo.gl/Sm8ybq
Complete v9.6 9 May 2017 MAC
http://beelink.in/29882/Complete-v9.6-9-May-2017-MAC.html

SDRR v1.1.0 AAX AU VST VST3 RTAS x86 x64 WiN MAC, x86 x64 windows vst3 plugins vst plugins plugins rtas macos plugins au for mac aax plugins, x86, x64, Windows, VST3, VST, SDRR, Saturation, RTAS, MAC, Chameleon, AU, AAX

SDRR v1.1.0 WiN MAC

Team SYNTHiC4TE | August 01 2014 | 9 MB

AAX AU VST VST3 RTAS x86 x64

The Saturation Chameleon

SDRR was build to satisfy almost all of your saturation desires. It provides a comprehensive set of controls to manipulate the character of the saturation to make it fit exactly. SDRR offers four different main modes: TUBE, DIGI, FUZZ, DESK and reacts dynamically to the input signal. Each mode has it’s unique crosstalk behaviour, which can be switched of or exagerrated. A unique RMS level difference metering mode makes level matching an easy task. SDRR can be different things: a saturation, a compressor, an EQ, a bitcrusher, a subtle stereo widener, or simply add some movement to your tracks with the DRIFT control. Add warmth, depth and character to your tracks with SDRR.

SDRR v1.1.0 AAX AU VST VST3 RTAS x86 x64 WiN MAC, x86 x64 windows vst3 plugins vst plugins plugins rtas macos plugins au for mac aax plugins, x86, x64, Windows, VST3, VST, SDRR, Saturation, RTAS, MAC, Chameleon, AU, AAX

Don’t forget to check out the free IVGI, which can be seen as the little brother of SDRR. It is based on the DESK mode in SDRR. Since IVGI is comparable to SDRR qualitywise, CPU-consumption wise and regarding aliasing (or better the absence of aliasing artifacts), it’s a good way to also get an impression of how SDRR would perform on your system.

SDRR v1.1.0 AAX AU VST VST3 RTAS x86 x64 WiN MAC, x86 x64 windows vst3 plugins vst plugins plugins rtas macos plugins au for mac aax plugins, x86, x64, Windows, VST3, VST, SDRR, Saturation, RTAS, MAC, Chameleon, AU, AAX

SDRR is available in the following formats (all included in one single license):
Windows: VST (32&64Bit), VST3 (32&64Bit), RTAS
Mac OSX: AU (32&64Bit), VST (32&64Bit), VST3 (32&64Bit), RTAS

Klanghelm has updated all its plug-ins and announced that they are all now available as AAX Native for Pro Tools 11.

The updates also include various bug fixes, stability and performance improvements, lower latencies and less CPU consumption when oversampling is used.

INFO/DEMO: http://redi.se/fx3
SDRR v1.1.0 AAX AU VST VST3 RTAS x86 x64 WiN MAC
http://beelink.in/16448/SDRR-v1.1.0-The-Saturation-Chameleon-WiN-and-MAC.html

DC8C advanced compressor v2.3.0 WiN MAC, x86 x64 windows vst plugins macos software audio plugins au for mac, Win, SYNTHiC4TE, OSX, Klanghelm, DC8C, Compressor, Advanced

DC8C v2.3.0 WiN MAC

SYNTHiC4TE | August 01 2014 | 10.7 MB

Advanced Compressor

DC8C is one of the most flexible compressors around.

While making a lot of different compression styles possible, it’s general nature may be described as: clear, smooth, open, distinct.The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost unevitable artefacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration. If you aim for colour you can choose between two saturation models.  From opto style, peak compression, RMS compression, Feedback, Feedforward compression (and everything inbetween) to negative ratios, zero latency brickwall limiting, from snappy transient treatment to smooth transient rounding – everything is possible.

DC8C is available in the following formats:

  • Windows VST (32&64Bit)
  • Windows Standalone (32&64Bit)
  • Mac OSX AU (32&64Bit)
  • Mac OSX VST (32&64Bit)
  • Mac Standalone (32&64Bit)

Feature List
detector network and gain reduction smoothing for extra smooth operation

  • • choose between two different attack and two release curves
  • • clean mode (100% clean compression with no intermodulation, no distortion, no aliasing)
  • • up to 8x oversampling
  • • sidechain filter with high pass & low pass filter plus tilt control, which let’s you shift the frequency response
  • of the detector
  • • customize the program dependency of the compressor seperately for Attack and Release
  • • GR-smoothing control to dertermine, how sensitive the compressor reacts to changes in the computed gain
  • reduction, great to emulate opto style compression
  • • hold control for heavy pumping compression effects
  • • pre comp control to delay the start of the attack to leave transients completely alone or radically shape the attack
  • • calibration control not only to set the reference level for the meters but also for the whole signal path.
  • the higher the value, the softer the compression characteristics and the lower the saturation amount
  • • unique Feedback-Mix-Control, which lets you determine, how much of the compressor’s output is fed back into the detector.
  • This way it is possible to morph between Feedback and Feedforward Compression topologies
  • • zero latency limting mode
  • • true zero attack (0.0 ms)
  • • negative ratios possible
  • • parallel compression, peak-compression, RMS-compression
  • • easy mode which features 4 different compression styles
  • • lots of comprehensive presets to keep you started

Changelog

  • Klanghelm has updated all its plug-ins and announced that they are all now available as AAX Native for Pro Tools 11. The updates also include various bug fixes, stability and performance improvements, lower latencies and less CPU consumption when oversampling is used.

INFO/DEMO: http://redi.se/1ee
Klanghelm-DC8C-advanced-compressor-v2.3.0-WiN-OSX-SYNTHiC4TE
http://beelink.in/16468/DC8C-advanced-compressor-v2.3.0-WiN-MAC.html

Computer Music   June 2017 DVD CONTENT, windows wav vst plugins audio tutorials presets patches midi patterns news macos kontakt samples audio, Music, June 2017, June, DVD, Content DVD, Content, Computer Music, Computer, 2017

Computer Music – June 2017 DVD

P2P | 06.05.2017 | 5.0 GB

English | 116 pages | PDF | 40 MB

Computer Music’s goal is to help its readers create great music with a PC or Mac. Each month find easy-to-follow tutorials for all sorts of music software, unbiased reviews of the latest products and answers to technical questions.

Contents:
1. Software – OverTone DSP AF2-10-CM
2. Samples – Orchestral Tension, Loopmasters CM243, Bonus Experimental Soundscapes
3. Tutorials – Tutorial Videos CM243, Tutorial Files CM243, Producer Masterclass – Alex Arnout

Computer Music – June 2017 DVD CONTENT
http://beelink.in/32161/Computer-Music-June-2017-DVD.html

DCAM FreeComp v1.0.1.7 AU VST RTAS WiN MAC R2R, x86 x64 windows vst plugins plugins rtas macos fxpansion, x86, x64, Win, VST, RTAS, R2R, FXpansion, FreeComp, Dcam, AU

DCAM FreeComp v1.0.1.7 WiN MAC

TEAM R2R | 2015.02.18 | 12,57 MB

AU VST RTAS x86 x64

DCAM FreeComp, a free circuit-modelled compression plugin in VST, AU or RTAS formats. DCAM FreeComp is a realistic model of a classic console bus compressor design, designed to gel subgroups and entire mixes together while enhancing punch and definition. It’s also excellent at taming peaks in individual tracks and instruments, creative sculpting and heavy, pumping compression effects.

INFO/DEMO: http://redi.se/12b
DCAM FreeComp v1.0.1.7 AU VST RTAS WiN MAC-R2R
http://beelink.in/5469/DCAM-FreeComp-v1.0.1.7-WiN-MAC-R2R.html

BFD Eco v1.7.0.5 AU VST VSTi RTAS WiN MAC R2R, windows vsti vst plugins plugins rtas macos fxpansion plugins au for mac, Win, VST, RTAS, R2R, MAC, Eco, BFD, AU

BFD Eco v1.5.1.6 WiN MAC

TEAM R2R | 2015.10.14 | 40.5 MB

AU VST VSTi RTAS

BFD Eco is a streamlined, fun and affordable software instrument for acoustic drums, based on the award-winning BFD2 engine. Supplied with a selection of the best BFD2 sounds, it can also be expanded with the wide range of FXpansion and 3rd-party add-ons. BFD Eco’s versatile mixing and EQ/FX section allows sculpting of the kit and the lush ambience for any musical situation, with a multitude of genre-based presets to get you started. Meanwhile, the integrated Groove player delivers diverse, ready-made drum patterns full of flavour and realism. Featuring an interface perfectly balanced between ease of use and flexibility, BFD Eco is provided as a standalone application and as a plugin for conveniently injecting realistic and powerful drums directly into your projects.

BFD Eco v1.7.0.5 AU VST VSTi RTAS WiN MAC R2R, windows vsti vst plugins plugins rtas macos fxpansion plugins au for mac, Win, VST, RTAS, R2R, MAC, Eco, BFD, AU

INFO/DEMO: http://redi.se/34dy
BFD Eco v1.7.0.5 AU VST VSTi RTAS WiN MAC-R2R
http://beelink.in/20527/BFD-Eco-v1.7.0.5-AU-VST-VSTi-RTAS-WiN-MAC-R2R.html

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