Amps S Gear v2.7.1 AAX VST WiN V.R, windows vst plugins aax plugins, WORKING, Win, VST, S Gear, Fixed, CE, Amps, AAX

Amps S-Gear v2.7.1 AAX VST WiN

Team V.R | July 04 2017 | 215 MB

S-Gear is a collection of guitar amps, speaker cabinets and effects implemented in software for use with your computer, Windows PC or MAC. The software comes as a Standalone Application and as plug-ins for use with the most popular DAW (digital audio workstation) recording software.

The sound of a boutique tube amp, turned up loud!
The really special thing about S-Gear is the amazing high quality of guitar amp tones achieved simply by plugging your guitar into a computer via an audio interface. S-Gear gives you a professional guitar sound without the expense and hassle. We are talking about the sound of a high quality tube amp, turned up loud, and mic’d up professionally in a suitable acoustic space. S-Gear’s boutique designed amps, coupled with accurate convolution based speaker cabinet emulation, provide a massive range of guitar tones.

– modified AAX work only @ AudioUTOPiA release ProTools

INFO/DEMO: http://redi.se/3d1m
Amps S-Gear v2.7.1 AAX VST WiN-V.R
http://beelink.in/26920/Amps-S-Gear-v2.7.1-AAX-VST-WiN-V.R.html

Devastor 2 v2.1.2 WiN MAC R2R, x86 x64 windows vst plugins macos aax plugins, x86, x64, Win, VST, R2R, Multiband, Modified, MAC, Distortion, Devastor, AU, AAX

Devastor 2 v2.1.2 WiN MAC

Team R2R | 02 Jul 2017 | OSX: 10.0 MB | WiN: 11.0 MB

AU/VST/AAX(MODiFiED)/x86/x64

Multiband Distortion Unit

Devastor is a deceptively simple yet remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit you can find in Phoscyon, but with full control over multiband processing. This elevates its sonic mangling capabilities to an entirely new level!

Structure
The plug-in consists of four essential blocks:
– Dynamics-flattener module (one-knob controlled input signal compressor)
– Diode-clipper distortion
– Three multi-mode filter sections
– Optionally activated signal limiter

INFO/DEMO: http://bit.ly/2pVrY5u
Devastor 2 v2.1.2 WiN MAC-R2R
http://beelink.in/32393/Devastor-2-v2.1.2-WiN-MAC-R2R.html

Decimort 2 v2.1.2 WiN MAC R2R, x86 x64 windows vst plugins macos plugins au for mac aax plugins, Win, vintage sampler, Vintage, Sampler, R2R, MAC, Hip Hop, Hip Hop, Emulation, Decimort, Colouration, colour

Decimort 2 v2.1.2 WiN MAC

Team R2R | 02 Jul 2017 | OSX: 28.1 MB | WIN: 28.9 MB

AU/VST/AAX(MODiFiED)/x86/x64

Decimort recreates the colouration and adds the vintage sampler’s magic to any sound.

Electronic music (especially Hip-Hop) producers have long been aware that classic samplers (such as early Akai and E-MU units) had a character and sound all their own: they added a “grit” and “color” to the samples and loops they played back which made them sound “fat” and sit well in a mix. This sound coloration was due to the encoding techniques, lower sample rate and bit depth, and conversion circuits used by these early samplers. Decimort recreates this coloration and adds that vintage sampler magic back to any loop, any bassline, or any sound played through it for that matter! Beyond vintage sampler emulation, it’s also the perfect bit-crusher with filter, capable of extreme settings for dramatic results.

More control than any other effect of this type
Decimort isn’t just another bitcrusher with only bit resolution and sampling frequency to tweak; in fact, it provides far more advanced features than you likely could have ever expected from an effect of this kind, all implemented in stunning quality:

  • Two optional anti-alias filters – A very steep low-pass pre filter (Approximative Filter) coupled with the resampling frequency that removes all harmonic content above it, ensuring no aliasing will appear below this frequency in the spectrum. A further post filter (Image filter), also synchronized with the resampler, gives control over amount of aliasing images appearing above resampling frequency when enabled
  • Adjustable Jitter – An unprecedented feature in the bit crusher’s world which introduces short-period, random fluctuations to the resampling frequency, thus making the process even more sonically interesting by producing a type of harmonic distortion you’ve likely never heard in this context.
  • Two quantization methods – Two available quantization methods; the mid-raiser and mid-tread decimation algorithms, each of them characterized by a drastically different dynamics response.
  • Controllable dithering – Dithering was conceptually developed as means to reduce audible quantization errors by masking the harmonic distortions they cause. We added controllable dithering to increase number of ways in which you can (mal)treat the sound.

INFO/DEMO: http://bit.ly/2qqdTN9
Decimort 2 v2.1.2 WiN MAC-R2R
http://beelink.in/32394/Decimort-2-v2.1.2-WiN-MAC-R2R.html

Antresol v1.1.1 WiN MAC R2R, x86 x64 windows vst plugins macos plugins au for mac aax plugins, x86, x64, Win, VST, R2R, Modified, MAC, Flanger, AU, Antresol, AAX

Antresol v1.1.1 WiN MAC

Team R2R | 02 Jul 2017 | OSX: 17.2 MB | WiN: 18.2 MB

AU/VST/AAX(MODiFiED)/x86/x64

A legendary flanger resurrected

In bringing the classic stomp box back to life, we’ve created a must-have effect plugin that will appeal not only to performing guitarists, but to instrumentalists and producers of virtually any genre: whether it’s rock guitar riffs or melodic synth lines you’re into, you’ll find that the extreme attention to sonic detail coupled with the flexibility afforded by modern technology in Antresol make it the perfect example of what a flanger should be in the modern era.

Key Features

  • True emulation of BBD based analog delay line
  • Optional independent parameter control for each stereo channel
  • Selectable L/R or M/S stereo processing modes
  • Mistress mode allows the whole unit to work the same as the classic flanger
  • LFO can be synchronized with your host application
  • 3 different LFO-to-BBD clock curves
  • Ultra-low aliasing output
  • Highly musical and pleasant sound
  • Tag-based browser
  • Two alternative GUI sizes
  • MIDI-learn functionality throughout
  • 64bit internal processing

INFO/DEMO: http://goo.gl/LivgnI
Antresol v1.1.1 WiN MAC-R2R
http://beelink.in/22648/Antresol-v1.1.1-WiN-MAC-R2R.html

Repeater v1.1.2 WiN MAC R2R, x86 x64 windows vst plugins macos plugins au for mac aax plugins, x86, x64, Win, VST, vintage digital, Vintage, Tape, Repeater, R2R, Pitch, Modelled, MAC, ECHO, Delays, Delay, AU, AAX

Repeater v1.1.2 WiN MAC

Team R2R | 02 Jul 2017 | OSX: 9.3 MB | WiN: 9.6MB

AU/VST/AAX(MODiFiED)/x86/x64

Vintage Modelled Delay

Built-in 23 delay models ranging from classic oil cans and plates to the most famous vintage digital designs. There have been many incredible delay units created over the past 70 years, from tape delays to oil cans to modern digital circuits.

All-in-one

Introducing Repeater – A dual delay powerhouse that features 23 unique authentically modeled delay units ranging from classic oil cans and plates to the most famous vintage digital designs:

  • Cassette Tape – A model of an early 80’s Japanese cassette tape deck. We’d call this one mid-fi
  • Coopy Cube – An early 70’s delay originally made from a garden hose! Great for short delays to add depth, also with stereo Spread option.
  • Digital 42 – One of the most famous modern digital delays, this one has a uniquely early digital tone with a touch of graininess and a slight scoop. Great for guitars and vocals.
  • Digital 42 x 2 – The double option on the Digital 42, it halves the sample rate for an extremely unique lo-fi tone that is great on vocals, guitars, and drums.
  • Digital Delay – A hi resolution digital delay. Use Repeater’s filters and Color to customize the tone.
  • DM-2 – An early bucket brigade analog delay with a warm and rich tone. Amazing on guitars and synths.
  • Mellow Delay – A smooth, subdued delay that is based on several vintage analog topologies.
  • Memory Guy – Lush analog delay with fat vintage tone.
  • Mirky Delay – Based on early bucket brigade analog delays, it is dark and thick. Great as a special effect delay or thickener when used with the Spread option.
  • New Radio – Delay tone with FM radio style scooped hi-fi tone. Try it on vocals.
  • Old Radio – Delay tone with AM radio style grainy lo-fi tone.
  • Pitchy Delays – (3 models) – Delays with slight pitch modulations for extremely spatial and deep effects. Sounds great when both delay lines are set to the same time creating a chorusing mono effect. These can also be used with tight delays with Spread option for widening and thickening effects.
  • Plexy Echo – Based on an old 70s tape delay unit. It’s fat tone, which sounds great on vocals guitars and even drums.
  • Space Delay – Based on the famous magnetic tape delay with warm and gritty tone. A classic on guitars.
  • Tape Delay Ancient – An extremely old 1940’s style tape delay tone.
  • Tape Delay Classic – Early 60’s style tape delay.
  • Tape Delay Modern – Hi-fi tape delay with warm and lush tone.
  • Tape Delay Vintage – 70’s style tape tone, slightly grainy but warm.
  • Telephone 1 – Lo-fi telephone tone, great for special effects or used as an insert on vocal or even full mix.
  • Telephone 2 – Another lo-fi telephone tone with slightly different frequency and distortion tone.
  • TelRay – The analog delay classic made original from a tuna can. Beautifully lo-fi with a rich tone that is perfect for guitars.

Two is better than one
At first glance, Repeater appears to be your typical stereo delay effect processor with independent control of the processing path for the left and right channels. In actuality, it features independent re-panning and dry/wet mixing for each of two stereo channels, which makes it a very flexible double delay line effect. You’ll be surprised and delighted by all the capabilities this approach can offer over the typical, fixed-panned one.

INFO/DEMO: https://goo.gl/YbwqAA
Repeater v1.1.2 WiN MAC-R2R
http://beelink.in/29976/Repeater-v1.1.2-WiN-MAC-R2R.html

BIAS FX v1.5.6 AAX STANDALONE VST RTAS WiN R2R, windows vst plugins plugins rtas software audio aax plugins, Win, VST, Standalone, RTAS, R2R, FX, BIAS FX, BIAS, AAX

BIAS FX v1.5.6 WiN

Team R2R | 03 Jun 2017 | 549.83 MB

Tone at an entire new level

Over the last several years, a range of high processing powered digital guitar effects and mobile guitar apps have changed the way millions of guitarists play and record. The question is how we can create new tools to maximize the sound quality with today’s technology. The result is BIAS FX. It’s designed from the ground up with no-compromise mindset on sound quality, it comes with all the greatest and latest algorithms from our audio signal processing research, it provides significantly detailed and authentic emulation of analog pedals and studio racks, it has dual custom BIAS Amp profiles integration and dual signal chain.

BIAS FX is equipped with the most advanced DSP sound engine with a beautifully designed interface, it’s seamlessly integrated with BIAS Amp Designer.

We then go beyond and create a cross-platform, amp-and-effects processor. Now for the first time, you can achieve high quality sound in the studio for recording and on iPad for live performance and practice.

Windows

  • Windows 7 (SP1) Windows 8
  • Format: Standalone and plugin: Audio Units, VST, RTAS, AAX Native
  • 4GB of RAM minimal, 8GB or more recommended
  • 1.5GHz Dual core processor minimal, 2.0GHz Dual core or more recommended
  • 250MB free disk space for per version (32 or 64 bits)

INFO/DEMO: http://redi.se/3brp
BIAS FX v1.5.6 AAX STANDALONE VST RTAS WiN-R2R
http://beelink.in/25873/BIAS-FX-v1.5.6-AAX-STANDALONE-VST-RTAS-WiN-R2R.html

MJUC Variable Tube Compressor v1.1.1 WiN MAC RETAiL SYNTHiC4TE, x86 x64 windows vst plugins plugins rtas macos plugins au for mac aax plugins, Win, VST, Variable, Tube Compressor, Tube, SYNTHiC4TE, RTAS, RETAIL, MJUC, MAC, Compressor, AU, AAX

MJUC v1.1.1 WiN MAC RETAiL

SYNTHiC4TE | June 30 2017 | 38 MB

Variable-Tube Compressor

MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.

MJUC is the first Klanghelm plugin, that’s built with the help of a new framework. That’s brings a lot of new usability features such as GUI-resizing, AB-ing and a feature-rich platform independent preset browser with save/copy/paste/save-as-default functionality. Furthermore it’s possible to tweak the knob behavior, enable tooltips, show/hide value labels and more. All these features will find their way to the existing Klanghelm plugin as soon as possible.

Model Mk1 is based on the very early variable-mu* designs from the 50s. Due to its extremely high control voltage it doesn’t impart any audible “thumping”, most other variable-mu* designs suffer from at high GR and fast timing constants. Also it has a very simple signal path, where the compression happens directly in the audio path. The result is a very natural compression character with very little distortion. The arrangement of four(!) variable-mu* stages add to the incredibly dense and thick nature of Mk1. Mk1 is the most colored of MJUC’s models.

Model Mk2 is built upon the more complex designs of the 175 and 176 from the early 1960s, the all-tube-predecessors of the classic 1176 FET compressor. It offers four ratios, a density switch, that enables a second variable-mu* stage and reduces the program dependence of the attack and recovery timings to a minimum. Furthermore, it lets you activate the interstage transformer to reduce overall noise and distortion and making the compression more accentuated. Compared to Mk1 the second model is less Jazz and more Rock’n’Roll with enhanced generated harmonics and a more forward sounding character.

Model Mk3 is the least colored and most Hi-Fi-sounding model in MJUC. It is Klanghelm’s modern interpretation of this compression topology. The only design idea derived from another modern famous variable-mu* comp is, that it’s circuitry is done entirely differential, making the unit very quiet and almost distortion-free. But the real special thing about this model is, that the actual compression is done by two different variable-mu* stages, which kind of work against each other, one works feedforward, while the other in a feedback configuration. This results in a attack accentuating, punchy compression, surprisingly closer to a British G type bus comp than to a 670.

all formats included in a single license: AU (32&64Bit) – Mac only, VST (32&64Bit), AAX (32&64Bit), RTAS

Klanghelm MJUC /02/23/17 – version 1.1.1:
– FIX: crash in Tracktion/Waveform when enabling HQ mode in MJUC

INFO/DEMO: http://redi.se/37zk
MJUC Variable-Tube Compressor v1.1.1 WiN MAC RETAiL-SYNTHiC4TE
http://beelink.in/23267/MJUC-Variable-Tube-Compressor-v1.1.1-WiN-MAC-RETAiL-SYNTHiC4TE.html

Lurssen Mastering Console v1.1.0 WiN MAC R2R, windows vst3 plugins vst plugins macos ik multimedia soft ik multimedia vst software audio plugins au for mac aax plugins, Win, VST3, VST2, Standalone, R2R, Mastering, MAC, Lurssen, Console, Audio Units, AU, AAX

Lurssen Mastering Console v1.1.0 WiN MAC

Team R2R | 01.07.2017 | WiN: 127 MB | OSX: 142 MB

STANDALONE, Audio Units, VST2, VST3, AAX

Master your music with the secret techniques, workflow and world-renowned know-how of Lurssen Mastering Lurssen Mastering Console is a groundbreaking new mastering tool for either iPad or Mac/PC that puts a lifetime’s worth of professional mastering experience at your fingertips. Created in collaboration with Mastering Engineers Gavin Lurssen and Reuben Cohen of Multi Grammy Award winning facility Lurssen Mastering in Los Angeles, it puts you at the controls in the studio with all of the secret tools, settings and techniques that have made the Lurssen sound so sought after by the world’s top-tier recording artists and producers.

Lurssen Mastering Console v1.1.0 WiN MAC R2R, windows vst3 plugins vst plugins macos ik multimedia soft ik multimedia vst software audio plugins au for mac aax plugins, Win, VST3, VST2, Standalone, R2R, Mastering, MAC, Lurssen, Console, Audio Units, AU, AAX

It faithfully recreates Lurssen’s “whole is greater than the sum of its parts” philosophy of mastering. With it, you get a top of the line mastering processor chain that has been created and tweaked by Gavin and his team to reflect the settings they use in the studio while mastering hip-hop, rock, pop and more. With Lurssen Mastering Console, you finally have a way to make professional sounding masters no matter whether you’re in the studio or on the go.

Features

  • Created in collaboration with mastering engineers Gavin Lurssen, Reuben Cohen and the team at multi-Grammy award-winning Lurssen Mastering Studios
  • Accurately reproduces Lurssen Mastering’s unique philosophy, studio workflow and signal chain
  • Separate versions available for iPad and Mac/PC
  • Mac/PC version works as a standalone application or as a plug-in for your DAW
  • 25 pre-made “Styles” created by Gavin Lurssen and team that reproduce the settings and gear used to master pop, hip-hop, rock and more
  • 3 easy-to-navigate displays: A Studio view with controls, a Wave waveform view and a Chain view for individual processors
  • Input Drive knob
  • 5 band EQ with fixed frequency
  • “PUSH” Knob to subtly enhance selected song passages via uniform EQ adjustment
  • Full automation of audio content adjustment
  • Linkable Input Drive control for stereo balance tweaks
  • Input/Process assignable VU metering
  • Stereo/Mono monitoring capability
  • 88.2/96kHz DSP processing
  • Audio import from iPad music library

 

What’s new in version 1.1:
– Multi-mono support (plug-in version only).
– Classical and Jazz Styles added.
– Extended De-esser threshold range.
– Improved dynamic range and signal to noise ratio.


INFO/DEMO: http://redi.se/3cdj
Lurssen Mastering Console v1.1.0 WiN MAC-R2R
http://beelink.in/26414/Lurssen-Mastering-Console-v1.1.0-WiN-MAC-R2R.html

Soprano Sax v2.5.3 AAX VSTi x64 WiN CE V.R, x64 plugins vsti windows vsti aax plugins, x64, Win, VSTi, V.R, Soprano, Sax, CE, AAX

Soprano Sax v2.5.3 WiN

Team V.R | 30-06-2017 | 54.41 MB

AAX VSTi x64

Developed on the Kontakt™. The Trumpet and Trombone, as well as the French Horn and Tuba, exploit the Harmonic Alignment Technology for real time building of articulations. The Sax Brothers use an alternative approach, the Synchronous Wave Triggering. This latter technique is less suited to the Kontakt engine, due to some technical limitations, including jitter and fixed interpolation.

INFO/DEMO: https://goo.gl/4ydffz
Soprano Sax v2.5.3 AAX VSTi x64 WiN CE-V.R
http://beelink.in/33051/Soprano-Sax-v2.5.3-AAX-VSTi-x64-WiN-CE-V.R.html

The Clarinets v2.5.3 AAX VSTi x64 WiN CE V.R, x64 plugins vsti windows vsti aax plugins, x64, Win, VSTi, V.R, Tuba, Trumpet, Trombone, French Horn, Clarinets, CE, AAX

The Clarinets v2.5.3 WiN

Team V.R | 30-06-3017 | 123.32 MB

AAX VSTi x64

Developed on the Kontakt™. The Trumpet and Trombone, as well as the French Horn and Tuba, exploit the Harmonic Alignment Technology for real time building of articulations. The Sax Brothers use an alternative approach, the Synchronous Wave Triggering. This latter technique is less suited to the Kontakt engine, due to some technical limitations, including jitter and fixed interpolation.

INFO/DEMO: https://goo.gl/vJmCy2
The Clarinets v2.5.3 AAX VSTi x64 WiN CE-V.R
http://beelink.in/33050/The-Clarinets-v2.5.3-AAX-VSTi-x64-WiN-CE-V.R.html

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