BigQ Envelope follower VST x86 WiN, x86 windows vst plugins, x86, Win, VST, P2P, follower, Envelope, BigQ

BigQ VST x86 WiN

P2P | 29.10.2016 | 4.16 MB

Envelope follower / multifilter. Cutoff (frequency) of filter is controlled by amplitude of input signal. Louder you play more intensive cutoff frequency of filter is modulated. Perfect for BASS guitar, Electric guitar and Drums.

Top features:
– 4 selectable filters (low pass, high pass, band pass, peaking)
– Envelope follower module with attack and release knobs, which modulate filter´s cutoff frequency
– Envelope amount knob
– Input gain knob – louder is input signal more significantly is modulated filter frequency/cutoff
– Dry/Wet knob – set ratio between dry and wet (effected) signal
– Up/Down switch – cutoff frequency of filter can be modulated in negative or positive direction (up or down)
– Analog drive switch adds little bit of warm
– Bypass switch

BigQ Envelope follower VST x86 WiN

Trapghanistan For SYLENTH1 FXB FXP, sylenth1 presets patches fxp fxb, Trapghanistan, Trap, Sylenth1, RNB, R&B, Hip Hop, Fxp, FXB, DISCOVER, Dirty South

Trapghanistan For SYLENTH1 FXB FXP

DiSCOVER | 22 SEPTEMBER 2014 | 13 MB

‘Trapghanistan for Sylenth1’ is produced by the sound gurus and is sure to be your go-to Sylenth1 sound bank for all your Trap, Dirty South, Hip Hop and R&B needs. You can own these quality sounds Royalty-Free; just load them into Sylenth1 and start making fresh Trap hits. This preset bank is an absolute must-have for any Hip Hop/Trap music producer.

Preset List:
• 5 Arps
• 5 Basses
• 5 FX
• 5 Leads
• 5 Pads
• 5 Plucks
• 5 Synths

• 35 Presets
• 1 Full FXB Bank

Please Note:
– Sylenth1 2.2.1+ is required for this soundset.

Trapghanistan For SYLENTH1 FXB FXP

All Trap Music Sample Pack 2 WAV MASSiVE AUDiOSTRiKE, wav presets patches massive samples audio, WAV, Trap Music, Trap, Sample Pack, Sample, Presets, patches, Pack, NI, Music, Massive, Dubstep, AUDIOSTRiKE, All

All Trap Music Sample Pack 2

AUDiOSTRiKE | 10/02/2015 | 297 MB

Following the huge success of their inaugural sample pack last year, All Trap Music returns with another trove of creative elements for all forward-thinking producers. Still one of the most influential sound palettes in modern music, trap’s sonic signature and dirty dynamic remains a heavyweight presence across many genres from the underground to the top 10.  For this sample pack, though, scene documenters All Trap Music are taking us right back to the roots… All Trap Music Sample Pack 2 is stacked with sounds that explore classic rap and foundational trap motifs from the turn of the century: Rawer, wilder and designed with more creative expression in mind many of the 250+ samples, loops and patch have been created using analogue signals in the same way the originators’ material did. It really doesn’t get any more authentic than this! All Trap Music Sample Pack 2 is compatible with all DAW software programs. Each 24-bit 44.1 KHz element is produced and recorded at the highest quality.

The sample pack contains:
• 51 Drum Loops
• 25 Musical Loops

One-Shot Samples:
• 20 808 Bass Hits
• 20 Snares
• 20 Claps
• 20 Hats
• 20 Kicks
• 24 Percussion Hits
• 10 Downshifters
• 10 Uplifters
• 12 Horns
• 16 Lazers & Stabs

Synth Patches:
• 20 Massive Presets

*Other Genres that this package may be useful in:
• Dubstep
• Presets / Patches

All Trap Music Sample Pack 2 WAV MASSiVE-AUDiOSTRiKE

Xin Hua V4 for Vocaloid4FE, vocaloid presets patches samples audio, Xin Hua, Xin, Vocaloid4FE, Vocaloid, v4, Hua, AlexVox

Xin Hua V4 for Vocaloid4FE

AlexVox | 11 September 2017 | 300 MB


Xin Hua is a VOCALOID formerly developed by the YAMAHA Corporation and distributed by Facio, in collaboration with Gynoid Co., Ltd. and was released in February 2015 for the VOCALOID3 engine.  She was updated to the VOCALOID4 engine in September 2017, and was developed and distributed in collaboration with Shanghai Wangcheng Information Technology Co. Ltd.. A Japanese package were confirmed for Xin Hua in August 2017. She is voiced by Wenyi Wang (王文儀; Wáng Wényí), a Taiwanese voice acting apprentice.

Note: This is japanese language vocaloid (Natural+Power voicebanks)

Xin Hua V4 for Vocaloid4FE

Lo Fi and Chill Sample Pack WAV MiDi FXP ABLETON, wav presets patches midi patterns fxp samples audio ableton live, WAV, Sample Pack, Sample, Pack, P2P, MIDI, Lo Fi, Fxp, Chill, Ableton

Lo-Fi & Chill Sample Pack

P2P | Sept 11 2017 | 406 MB


Our new Lo-Fi sample pack “Lo-Fi & Chill” consists of over 500 Mb+ of drum loops, MIDI, serum presets, drums & percussion, FX, synths and more. Inside our pack also includes Ableton project files from our demo created by 16 year old Lo-Fi producer Quickly Quickly.

Whats included?
– 148 Loops [Drum, Found, Music, Nature, and Vinyl]
– 99 Foley Percs
– 91 Nu School Percs
– 72 Kicks & Knocks
– 69 Snares & Claps
– 52 FX [Downlifts, Quicklifts, Uplifts, Impacts, and Misc FX]
– 45 Hi Hats
– 43 Vinyl Cuts [Chords, Piano, and Vox]
– 20 Other Percs
– 20 Pads
– 11 Bass Cuts
– 42 MIDI Progressions
– Ableton Project Files

Lo-Fi and Chill Sample Pack WAV MiDi FXP ABLETON

The Mavrik Ultimate EDM Drums Vol.1 WAV Ableton Live Project, wav presets patches samples audio als ableton live, WAV, Ultimate, Trap, Project, Mavrik, LiVE PROJECT, Live, EDM Drums, EDM, Dubstep, Drums, Dance, ABLETON LIVE PROJECT, Ableton Live, Ableton

The Mavrik Ultimate EDM Drums Vol.1

DISCOVER | 12 JANUARY 2013 | 91 MB

WAV Ableton Live Project

‘The Mavrik: Ultimate EDM Drums Vol 1’ is the hottest drum pack on the market! Tired of fumbling through thousands of one-shot sample packs only to pull a few good ones out? Well fear not because every single hit in this pack is 100% usable and mix ready! This Producer Pack includes four genres of drum samples, with Dance, Dubstep, Trap and Live, each broken down into sub categories. There are 93 Kicks, 125 Snares, 43 Hats, 27 Cymbals and Swells, and seven 808’s. There are also 26 live drum fills and five live drum grooves, which have all been pre-quantized. Also included are pre-made Ableton Drum Racks. You will find a drum rack for each genre, preloaded with the corresponding one-shot samples.

Please Note: To use the Ableton Drum Racks requires Ableton 8.1 or higher.
The Mavrik Ultimate EDM Drums Vol.1 WAV Ableton Live Project

DFS Blue MULTiFORMAT, wav presets patches kontakt exs24 samples audio, MULTiFORMAT, MAGNETRiXX, Digital Synthesizers, DFS, Blue, Analog Synth


TEAM MAGNETRiXX | 07 January 2014 | 0.99 GB

GB is a huge fan of hybrid analog/digital synths. This pack was lovingly sampled from some of these amazing instruments: PPG Wave 2.2, DSI Prophet 12, Ensoniq SQ80, Kawai K3m, Mutable Instruments Shruthi-1 and the Oto Biscuit (Der Oto). 1.5 GB of samples lovingly recorded through high end studio equipment. The EXS24 version has plenty of patches and these patches can be edited further using EXS-24 extensive synth like controls. The Kontakt version has a very useful GUI with plenty of synth controls to customize the sounds and also has a great little sequencer!

Kontakt 5.3+ version contains:

  • 264 x patches
  • 2021 x 24 bit wav samples (1.5 GB)
  • You will need the full version of Kontakt 5.3 or higher. Will not work in the free Kontakt player


Impulse Response Libraries 412 GTR MAR CB Pre Rola M25 Multi Mic Collection, presets patches ir impulse response, Pre Rola M25, P2P, Multi Mic, MAR CB, Libraries, IR, Impulse Response, Collection, 412 GTR

Impulse Response Collection

P2P | 11 June 2016 | 1.81 GB

412-GTR MAR-CB Pre-Rola-M25 Multi Mic

The OwnHammer Multi-Mic Collection libraries provide a massive array of microphone and placement options for the discerning tone connoisseur that wants micro-level control over their guitar sound. The best power amp, DA/AD converter, cables, and microphone preamps for recording electric guitar are in the chain, and microphone selection and placement can cover all manner of source tones, even with just a single cabinet and speaker. The inherent techniques and overall sampling methodology allows for much diversity in this regard, and the readymade mixes give a fantastic starting point for experts and beginners alike.

The 412-GTR MAR-CB is based on a 1970’s Marshall “checkerboard” 1960B 4×12 cabinet.

The M-PR25-A and M-PR25-B are based on 1971 16-ohm Celestion T1221 75-Hz cone “pre-Rola” 25-watt G12M’s.

In this library, the speaker cabinet was sampled with many microphones and capture types. For microphones with position numbers 00 through 10, these positions represent movement across the face of the speaker from brighter and closer to center (00) to darker and further out on the cap or cone (10). These numbers do not represent any specific unit of measure and are just sequential arbitrary definitions.

Below are explanations of the mic models and pre-made mix types:
– Based on a DPA 2011C condenser microphone.
– Based on an Audio Technica AE2500 dual element dynamic and condenser microphone.
– Mix-KK is based on a multi-mic configuration used by songwriter, engineer, and producer Kato Khandwala.
– Mix-OH1/2 are based on multi-mic configurations used by OwnHammer owner and operator Kevin Rowe.
– Mix-SP1/2 are based on multi-mic configurations created by Scott Peterson.
– FF-KM is based on far field captures taken with a vintage Neumann KM84 consenser microphone.
– FF-TC is based on far field captures taken with an Earthworks TC30 consenser microphone.
– The far field captures were taken in a silent reflection free outdoor environment. Captures go from directly on axis (1) to progressively further off axis (5).
– Floor is based on a floor plane placed AEA R92 ribbon microphone.
– MF is based on a mid field placed AEA R92 ribbon microphone.
– Rear is based on a vintage Neumann KM84 condenser microphone.
– Room is based on a vintage Neumann KM84 condenser microphone.
– Sub is based on a Yamaha SubKick dynamic microphone.
– Based on an AKG C414 B-ULS condenser microphone.
– Based on a Sennheiser e906 dynamic microphone.
– Based on a Cascade FatHead II ribbon microphone.
– Based on an Audix i5 dynamic microphone.
– Based on a vintage Neumann KM84 condenser microphone.
– Based on a Beyerdynamic M88 dynamic microphone.
– Based on a Beyerdynamic M160 ribbon microphone.
– Based on a Mojave Audio MA200 condenser microphone.
– Based on a modern production Sennheiser MD421 Mk-II dynamic microphone.
– Based on a vintage Telefunken MD421-5 dynamic microphone.
– Based on a vintage Sennheiser MD441 dynamic microphone.
– A multi-mic combination most ideally suited for high gain guitars, pickups, amps, and tones.
– A multi-mic combination most ideally suited for low gain guitars, pickups, amps, and tones.
– A multi-mic combination most ideally suited for mid gain guitars, pickups, amps, and tones.
– The “Phase Out” mix files utilize slight time and phase misalignments that can result in a more pleasing touch, feel, and frequency response than perfectly aligned mics in multi-mic mixes. This alignment type slightly rolls off the high and low end, and provides a more complex and interactive midrange that while still useful in studio applications, can be very beneficial in live sound and individual practice applications.
The PO-Cut mix is more forward and direct, while PO-Fat is more full range and all purpose.
– Based on a Heil PR20 dynamic microphone.
– Based on a Heil PR30 dynamic microphone.
– Based on an AEA R92 ribbon microphone.
– Based on a Royer R121 ribbon microphone.
– Based on a modern production Shure SM57 dynamic microphone angled at 15 degrees off-axis, pointed inward.
– Based on a modern production Shure SM57 dynamic microphone angled at 30 degrees off axis, pointed inward.
– Based on a modern production Shure SM57 dynamic microphone angled at 45 degrees off axis, starting at the speaker center and pointed outward toward the cone (ala the popular “Studio Fredman 45” technique).
– Based on a modern production Shure SM57 dynamic microphone.
– Based on a vintage Shure Bros Unidyne-III SM57 dynamic microphone.
– Based on a Shure SM7B dynamic microphone.
– Based on an Earthworks TC30 condenser microphone.
– Based on a Microtech Gefell UMT70S condenser microphone.
– Based on the mid element of a Shure VP88 condenser microphone.

The Wav folder contains files in .wav format for use in any convolution reverb loader, be it DAW hosts or external hardware devices. These files are formatted in 44.1 kHz, 48 kHz, 88.2 kHz, and 96 kHz sample rates in mono and stereo (dual mono) channel options for greater compatibility potential. For information concerning loading of these files into the host of your choice beyond what is included in this user manual and additional text files in the directory structure, please refer to their website or documentation.

Impulse Response Libraries 412-GTR MAR-CB Pre-Rola-M25 Multi Mic Collection

Spectral Rays for LiNPLUG SPECTRAL P2P, spectral presets patches fxp, Spectral, Rays, P2P, LinPlug

Spectral Rays for LiNPLUG SPECTRAL

P2P | 12/03/2016 | 840 KB

100 patches focussing on very musical and expressive lead sounds, rich, dreamy, glassy, cold and lush pads, groovy and futuristic sequences, complex and ethereal soundscapes, electronic textures inspired by the world of science fiction and some dark and deep drone sounds from the core of the underworld. All waveforms and filter shapes in this soundset are programmed from scratch, exploring new and exciting sonic territories. The Modwheel is assigned for most of the patches, many presets also use Aftertouch.

Spectral Rays for LiNPLUG SPECTRAL-P2P

Modern Tech House MULTiFORMAT AUDiOSTRiKE, wav rex2 presets patches nn xt kontakt halion exs24 samples audio, Tech House, Tech, Modern, House Music, House, Funky House, Deep House, AUDIOSTRiKE, 124 BPM, 123 BPM, 122 BPM

Modern Tech House MULTiFORMAT

AUDiOSTRiKE | 24/05/2015 | 601 MB

The current sound of Modern Tech House. Packed with nearly 900MB of pristine 24 bit samples, featuring solid drum loops, quality floor shaking bass and synth lines/stabs, dry and processed vocal lines and hooks, classic 808/909/727 samples and modern drum hits, this pack provides endless inspiration for any new house production. In Detail expect to find 852MB, 24 Bit Quality samples including 45 122BPM Drum Loops, 81 123BPM Drum Loops, 60 124BPM Drum Loops, 40 123BPM Bass Loops, 20 124BPM Bass Loops, 18 122BPM Synth Loops, 22 123BPM Synth Loops, 20 124BPM Synth Loops, 20 Bass Stabs, 110 Analogue Drum Machine Hits, 25 Clap Samples, 25 Closed Hat Samples, 25 Kick Samples, 25 Open Hat Samples, 25 Percussive Samples, 25 Snare Samples, 19 FX Samples, 14 Synth Stabs, 35 Dry Vocal Loops, 44 Wet Vocal Loops, 309 Rex2 Files and 44 Soft Sampler Patches for NNXT, Kontakt2+, Halion & EXS24. Modern Tech House sits perfectly in all styles of House Music including Deep House, Tech House and Funky House to name a few.

– 24 Bit Quality
– 45 122BPM Drum Loops
– 60 124BPM Drum Loops
– 20 124BPM Bass Loops
– 22 123BPM Synth Loops
– 25 Clap Samples
– 25 Kick Samples
– 25 Percussive Samples
– 19 FX Samples
– 35 Dry Vocal Loops
– 309 Rex2 Files
– 81 123BPM Drum Loops
– 40 123BPM Bass Loops
– 18 122BPM Synth Loops
– 20 124BPM Synth Loops
– 110 Analogue Drum Machine Hits
– 25 Closed Hat Samples
– 25 Open Hat Samples
– 25 Snare Samples
– 14 Synth Stabs
– 44 Wet Vocal Loops
– 44 Soft Sampler Patches for NNXT, Kontakt2+, Halion & EXS24



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