Aroma v1.1.1 AAX AU VST VST3 x86 x64 WiN MAC R2R, x86 x64 windows vst3 plugins vst plugins macos plugins au for mac aax plugins, x86, x64, Win, VST3, VST, R2R, AU, Aroma, AAX

Aroma v1.1.1 WiN MAC

Team R2R | May 31 2017 | WiN: 3.4 MB | OSX: 7.4 MB

(Win/Mac 32/64; AAX, AU,VST3, VST)

Aroma is a newly developed Harmonic Processor creating analog charm in an unprecedented musical way. The four valve or tape like units add elegance to your audio material. Primarily designed for mastering, Aroma can also create astonishing changes to the character of vocals and instruments. The additional Mid/Side processing options allow a decent and smooth fine tuning of the stereo base you won’t get from any other software or hardware. We refrained from names like “tape simulation” or “valve” for the processing units. Though Aroma’s refinements are loosely related to such analog models – Aroma’s variety is far beyond. The flavour controls relate to a wide variety of beauty, warmth and attractiveness. Aroma not only adds elegance to your music, Aroma makes it shine, sounding simply sensational.

v1.1.1:
Two bugs have been fixed:
– Aroma AU and VST3 crashed on some computers when the knobs where moved.
– VST3 crashed instantly in Cakewalk Sonar.

 

INFO/DEMO: http://redi.se/3gq9
Aroma v1.1.1 AAX AU VST VST3 x86 x64 WiN-R2R
http://beelink.in/32675/-Aroma-v1.1.1-AAX-AU-VST-VST3-x86-x64-WiN-R2R.html

Maschine 2 v2.6.5 UNLOCKED MAC, x86 plugins vsti x64 plugins vsti vsti vst plugins native instruments macos plugins au for mac aax plugins, VST, Standalone, PlatenseSoul, Maschine 2, Maschine, macOS, MAC, AU, 64Bit, 32Bit

Maschine 2 v2.6.5 MAC OSX

PlatenseSoul | 01.06.2017 | 413.36 MB + UPDATE: 455.11 MB

STANDALONE/AU/VST 32/64

POWER OF SOFTWARE

The included MASCHINE 2 software is exploding with cutting-edge technology. Improved browsing, arranging, and sampling, plus a new mixer, plug-in strip, and exclusive drum synths. Get ready for the most responsive, fluid, and musical beatmaking experience ever.

MASCHINE 2.6.5 OUT NOW!
This update introduces Ideas View – a new view for mixing and matching patterns independent of the timeline. Try out new beats, vamps, and fills. Audition melodies and alternate elements to find combinations you like. MASCHINE 2.6.5 also lets you use MIDI to change Scenes in Ideas View directly from your DAW of choice. You’ll also be able to change kits or load new Groups on the fly while audio and MIDI routings stay preserved.

MASCHINE 2.6 OUT NOW
MASCHINE 2.6 comes with more tools to spark your creativity, make you more productive in the studio, and add flair to your live sessions.

VARIATION ENGINE: RANDOMIZATION AND HUMANIZATION
The new Variation Engine helps add variety and spontaneity to your patterns. Humanize lets you shake off the shackles of quantization and loosen up a drum beat or melody. And Randomize kickstarts new tracks by creating new patterns with random velocities and positions–the perfect tool for spawning new ideas.

LOCK AND MORPH SNAPSHOTS
Whether you want to experiment creatively or just want to add some improvisation during a live performance, Lock has you covered. Simply freeze your current settings, tweak a sound’s characters, change an envelope, open a filter, and when you’re ready, return back to your initial settings at the press of a button, for up to 64 snapshots. And with the new Morph function, MASCHINE blends seamlessly from one snapshot to the next, making it easy to discover new transitions.

CONTROL EXTERNAL GEAR WITH MIDI CC
With new MIDI CC capabilities, you can control your MIDI-capable external instruments, like your favorite Roland groovebox or Korg synth, as if they were plugins. Simply load the controller template for your device in your MASCHINE software, and you can play with any MIDI-enabled parameters, like tweaking a filter or adjusting a sound’s attack, directly from MASCHINE’s ultra-responsive pads and knobs. To get you started, we’ve built a library of presets for popular devices, which you can find on our Downloads page–and if you can’t find a preset for your favorite synth, it’s easy to build your own.

 

INFO/DEMO: http://redi.se/3f7j
Maschine 2 v2.6.5 UNLOCKED MAC
http://beelink.in/22159/Maschine-2-v2.6.5-UNLOCKED-MAC.html

FL Studio 12 MAC OSX ALPHA v0.9r, macos software audio, Studio, OSX, MAC OSX, MAC, FLS, FL Studio 12, FL Studio, FL, Alpha

FL Studio 12 MAC OSX ALPHA v0.9r

P2P | 23.05.2017 | 615.9 MB

FLS 12 is a complete software music production environment, representing more than 14 years of innovative developments and our commitment to Lifetime Free Updates. Everything you need in one package to compose, arrange, record, edit, mix and master professional quality music. FLS 12 is the fastest way from your brain to your speakers.

READ THIS BEFORE INSTALLING
ALPHA Software is for TESTING & SOFTWARE DEVELOPMENT, not music production. It will crash and behave in unexpected ways. It is missing features.

BUGS
You can report them (although we are aware of many already), but don’t expect us to act on them for a while, we are still in heavy development ;)

This is a Native OS X version of FL Studio 12. It is not a Windows application in disguise.

Requirements:
1. OSX 10.7 or later
2. You must be admin user to install and run

Notable things that DO NOT WORK yet:

Rewire.
Plugins: That return ‘Can’t be found’ message when you try to open them.

ALPHA 0.9R WHAT’S NEW (12-April-2017)
– Updated to latest 12.5 sources
– More keyboard fixes
– Pinch to zoom on MBP trackpads is known to be buggy – working on a fix
– Plugin Manager fixes!

ALPHA WHAT’S NEW 0.9Q (no 0.9Q for you!)

INFO/DEMO: http://goo.gl/bb0YXm
FL Studio 12 MAC OSX ALPHA v0.9r
http://beelink.in/22902/FL-Studio-12-MAC-OSX-ALPHA-v0.9r.html

ReSample v1.1.5 STANDALONE x86 x64 WiN MAC CE URET, windows macos software audio, x86, x64, Win, URET, Standalone, ReSample, MAC, CE

ReSample v1.1.5 WiN MAC

TEAM URET | 23.05.2017 | WiN:29 MB | OSX: 17 MB

STANDALONE x86 x64

Smooth waveform browsing and editing: fast and responsive waveform zooming and editing with your mouse, trackpad (multi-touch gestures) or keyboard.

Features:
– Vocal removal: straightforward and effective removal or extraction for center vocal sound.
– Time stretch: change the duration of a sound while its pitch unchanged. (Real time preview supported)
– Pitch shift: change the pitch of a sound while its duration unchanged. (Real time preview supported)
– Batch (Multi-core supported): Apply customized jobs to all files. Such as processors, normalize, export, etc.
– Multiband compressing: split a sound into 4 frequency bands (low, low-mid, high-mid and high) and apply compressing process respectively.

ReSample to v1.1.5. The update introduces Noise Generation and Limiter processor, together with other bug fixes.

New features:
•New function: Noise Generation for white and pink noise;
•New Processor: Limiter processor, for normal limiter usage.
•User Experience: Windows installer for ReSample does not need VCRedist installation any more.

Other Updates:
•General: Fixed a memory leak issue after an insertion;
•Processor: Reverb processor is added a low cut filter, and other parameter related bug fixes;
•Processor: Minor fixes on some processor presets loading.
•Processor: Fixed errors on opening some processors after Batch processing is introduced;
•General: Fixed some playhead and looping related bugs;
•General: File name checking bug fixed for files with same names but different cases.

INFO/DEMO: http://redi.se/3gn8
ReSample v1.1.5 STANDALONE x86 x64 WiN MAC CE-URET
http://beelink.in/31524/ReSample-v1.1.5-STANDALONE-x86-x64-WiN-MAC-CE-URET.html

Audio Hijack v3.3.4 MAC OSX, macos software audio, P2P, MAC OSX, Audio Hijack, Audio

Audio Hijack v3.3.4 MAC

P2P | 23 May 2017 | 16.47 MB

Audio Hijack Pro drastically changes the way you use audio on your computer, giving you the freedom to listen to audio when you want and how you want. Record and enhance any audio with Audio Hijack Pro – it’s the cornerstone of your digital audio experience.Audio Hijack Pro will allow you to record any application’s audio, from internet streams to DVD audio and everywhere in between. If your machine can play it, Audio Hijack Pro can record it. And that’s not all – Audio Hijack Pro will also enhance any audio, unsing industry-standard VST and AudioUnit audio effects to make your music sound incredible. Record. Enhance. Enjoy!

Audio Hijack v3.3.4 MAC OSX, macos software audio, P2P, MAC OSX, Audio Hijack, Audio

Changues: http://redi.se/33nr
INFO/DEMO: http://redi.se/cmn
Audio Hijack v3.3.4 MAC OSX
http://beelink.in/16680/Audio-Hijack-v3.3.4-MAC-OSX.html

Complete v9.6 24 May 2017 WiN MAC P2P, x86 x64 windows vsti vst plugins plugins rtas macos plugins au for mac aax plugins, Win, P2P, MAC, Complete, 2017

Complete v9.6 – 24 May 2017 WiN MAC

P2P | 24 May 2017 | WiN: 3.02 GB | MAC: 3.03 GB

AU/VST/VST3/RTAS/AAX 32/64

The new Smack Attack available separately as well as in Mercury, Pro Show and SD7 Pro Show

What’s new (May 24th, 2017)
– https://paste2.org/LpXa9Xbp

 

INFO/DEMO: https://goo.gl/Sm8ybq
Complete v9.6 – 24 May 2017 WiN MAC-P2P
http://beelink.in/27872/Complete-v9.6-24-May-2017-WiN-MAC-P2P.html

Final Cut Pro X v10.3.4 macOS TNT, multimedia mas plugins macos apps, TNT, Pro, macOS, MAC, Final Cut Pro X, Final Cut Pro, Final, Cut, Apple

Final Cut Pro X v10.3.4 MAC

TNT | 26 May 2017 | 2.62 GB

At the heart of Final Cut Pro X is a flexible timeline Magnetic Timeline, a new approach to video editing without the tracks with the ability to add and organize videos as convenient to the author, while the other clips immediately disappear from the screen. The author can use the Clip Connections for pasting clips from other key elements such as titles and sound effects, while maintaining perfect synchronization of all elements regardless of their movement.

Final Cut Pro X v10.3.4 macOS TNT, multimedia mas plugins macos apps, TNT, Pro, macOS, MAC, Final Cut Pro X, Final Cut Pro, Final, Cut, Apple

Revolutionary Video Editing
• Assemble clips in the Magnetic Timeline without clip collisions or sync problems
• Use Clip Connections to attach B-roll, sound effects, and music to the timeline
• Reduce clutter by grouping clips into a Compound Clip.
• Perfect your pacing right in the timeline with the Inline Precision Editor
• Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
• Edit multi-camera projects with automatic sync and support for up to 64 camera angles

Powerful Media Organization
• Organize your work within libraries for efficient media management and collaboration
• Work natively with a broad range of formats including RED, AVCHD, H.264 from DSLRs, and more
• Content Auto-Analysis captures camera metadata and analyzes shots in the background
• Create and apply custom keywords on the fly as you select ranges in clips
• Smart Collections let you dynamically organize content and find any shot in a few clicks

Incredible Performance
• Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
• 64-bit architecture uses all the RAM in your system for larger projects and richer effects
• Background processing lets you keep working without interruption
• External monitoring lets you route video and audio through HDMI or third-party Thunderbolt and PCIe devices

Compelling, Customizable Effects
• Beautifully animated, easily customizable 2D and 3D titles
• Preview effects to see how they look with your footage before applying them
• Change the look of titles, transitions, and effects using intuitive controls
• Control effects with precision using a keyframe editor that appears directly in the timeline
• Use third-party FxPlug plug-ins with custom interfaces and dual-GPU support

Integrated Audio Editing
• Expand and edit multichannel audio files directly in the timeline
• Let Final Cut Pro repair significant audio problems such as hum, excessive noise, and more
• Sync DSLR video with separate audio in a single step, with instant audio waveform matching

Intuitive Color Grading
• Improve the look of any clip with the single-click Balance Color feature
• Apply the Match Color feature to match the looks of two clips shot under different conditions
• Manipulate color, saturation, and exposure with the Color Board
• Fine tune color for a specific color range or area of the screen using keying and masks

One-Step, Optimized Output
• Deliver projects for playback on Apple devices and websites such as Vimeo, YouTube, and Facebook
• Use themed menus to quickly author and burn a DVD or Blu-ray disc
• Export customized audio stems and multiple versions of a finished video using Roles metadata
• Import and export XML to support third-party workflows

What’s New in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Create, assign, and customize the colors of roles to identify different types of audio and video clips
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Configure color spaces for both libraries and projects
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range
• Video scopes display wide color in real time

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• MXF master file export uses audio roles to configure industry-standard channel layouts
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
• Copy and paste timecode to speed up numerical entry from text documents
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Search custom metadata in the Browser and Timeline
• Search Timeline Index for Auditions, Compound clips, Multicam clips, and Synchronized clips
• Ability to roll trim on adjacent anchored clips
• Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
• Skim and select ranges of audio files in the Music and Sound Effects browser
• Use a Thunderbolt cable for direct A/V output to an external display, without the need for a separate I/O device
• XML 1.6 supports role-based audio components for Magnetic Timeline 2
• Enhanced XML support lets you import projects and clips into existing events
• Ability to drag and drop clips, projects, and events as XML with supported applications

New in 10.3.4:
•Resolves a stability issue when using keyboard shortcuts to trim in Secondary Storylines
•Fixes an issue in which certain editing operations could create an extra audio fade in
•Fixes an issue in which the Share dialog could incorrectly display a codec warning

INFO/DEMO: http://goo.gl/ulNl4H
Final Cut Pro X v10.3.4 macOS
http://beelink.in/16849/Final-Cut-Pro-X-v10.3.4-macOS.html

QLab Pro 4.0.11 Pro Bundle macOS P2P, macos software audio, QLab, Pro, P2P, OSX, macOS, MAC OSX, MAC, Bundle

QLab Pro 4.0.11 macOS

P2P | May 27 2017 | 23 MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.

Design Tools
– Unlimited Cue Lists with unlimited cues
– Unlimited Cue Carts with 1 to 64 buttons per cart
– Design in Edit Mode and run your performance in Show Mode
– Non-destructive design tools never modify your media files
– Undo any edits
– “Audition” cues locally without sending audio, video, or lighting output to the stage
– Cue templates and Workspace templates
– “Record cue sequence” tool, to capture timing and play it back again the same way later
– “Paste cue properties” tool, to selectively paste properties from one or more cues onto other cues in your workspace
– Text search of cue lists and cue carts
– Extensive AppleScript and OSC APIs
– A comprehensive Status Window to guide troubleshooting
– Powerful and painless remote editing via QLab Remote

Lighting
– Control unlimited Art-Net DMX universes.
– Create unlimited light instruments (like channels, but can be named anything, not just numbers).
– Create unlimited light groups to collect related instruments together, like “all”, “stage right”, “LEDs”, “floor”, or “floor front left”.
– Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
– QLab-style levels fading: it’s simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
– Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
– As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
– All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
– See and manipulate the current levels of all your lights using the Light Dashboard.
– If you need to sneak in live edits from the Dashboard, you can optionally tell QLab to apply the new values “over time” so they’ll fade in smoothly.
– Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
– Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
– Trace back the edits to each cue that most recently modified each instrument.
– Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
– For motorized MIDI hardware, QLab supports MIDI “feedback” from the light dashboard and individual light cues. (Aka “flying faders”.)
– Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
– View light cues as sliders, tiles, or raw command text at any time.
– View the Light Dashboard as sliders or tiles.
– Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
– Easily delete individual light commands from any cue, and of course undo any edits.
– In slider view, expand group commands into all the individual instruments currently in the group.
– In slider view, indicators show the current live value of each light in a cue.
– In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
– Quickly see when a group of instruments is set to all the same level or a mix of different levels.
– Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
– Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
– Control both the Light Dashboard and individual Light cues via OSC messages.

Audio
– Support for up to 64 channels of audio output
– Support for up to 24-channel audio files
– Support for up to 24 channels of live audio input
– Audio waveform view
– Unlimited slices of your media files for looping and vamping
– Sample-accurate playback synchronization across multiple cues
– Audio panning and volume fading
– Customize output channel names
– Edit audio device routing
– Audio effects on any cue
– Audio effects on cue outputs
– Audio effects on device outputs
– Fade audio effects dynamically

Video
– Full-screen or custom geometry for Video cues
– Fade and animate videos
– 1000 layers of video
– Masking and edge-blending across multiple projectors
– Warping and keystone correction
– Basic video effects
– Live camera input with the Camera cue
– Syphon input & output
– Blackmagic input & output
– Text & titles with the Text cue

Show Control
– Send OSC or UDP messages using the Network cue
– Fade your OSC messages over time, in 1D or 2D
– Inject live values from your workspace into outgoing OSC messages
– Send all MIDI and MIDI Show Control messages with the MIDI cue
– Send MIDI messages by playing MIDI files with the MIDI File cue
– Run your own AppleScripts with the Script cue
– Generate LTC or MTC output with the Timecode cue
– Trigger cue lists from incoming LTC or MTC timecode
– Remote control via OSC and MIDI

What’s new in QLab 4.0.11:
– FIXED: Add support for the HapQ codec.
– FIXED: A case where using Blackmagic camera inputs could cause QLab to crash.
– FIXED: The mechanism to watch for changes in mask images will now update the surface appropriately if the mask file changes.
– FIXED: A crash when updating the light dashboard.
– FIXED: A bug in the DMX Status window that meant that it would often not display the final values of a light fade.
– FIXED: MIDI triggers for Light cues will now only be captured after you’ve pressed the “capture” button, and not any old time you just happen to be looking at the Triggers tab of the inspector. (Hold up there, eager beaver.)
– FIXED: Clarified the warning message if QLab is unable to initialize OSC ports at launch. Now includes an explanation of the most likely cause (two copies of QLab running).
– FIXED: Clarified language for the “Close Without Running Cue” option when closing a workspace that has a closing cue.
– FIXED: Text edits (e.g. in the Script cue, but also in any text field) will now always be saved if the workspace window loses focus. This prevents losing edits to a cue in cases like switching to another window to refer to API documentation.
– FIXED: The AppleScript “play count” property for the Video cue.
– FIXED: Audio licenses now properly unlock certain audio features on a video cue if a Video license is not present.
– FIXED: A bug that allowed the OSC “/renumber” method to be performed even though a workspace was in Show Mode.

Requirements: Intel, 64-bit processor OS X 10.10 or later

INFO/DEMO: http://redi.se/3brt
QLab Pro 4.0.11 macOS-P2P
http://beelink.in/25876/QLab-Pro-4.0.11-macOS-P2P.html

iTunes DRM Audio Converter 2.2.1 macOS TNT, macos software audio apps, TNT, macOS, MAC, iTunes DRM, iTunes, DRM, Converter, Audio Converter, Audio

iTunes DRM Audio Converter 2.2.1 MAC

TNT | 27 May 2017 | 11 MB

Apple Music Converter + Audiobook Converter + M4P to MP3 Converter. iTunes DRM Audio Converter is an efficient app that offers a quick method of saving iTunes songs on your Mac. It is very novice-friendly and can convert files to MP3 or AAC.

Features:
– Convert any Apple Music files to MP3/AAC/WAV
– Convert any iTunes M4P audio to MP3/AAC/WAV
– Remove DRM protection from iTunes & Audible audiobooks
– Convert at 20X faster speed with lossless quality

All-in-one Apple Music, Audiobook and M4P Converter
iTunes DRM Audio Converter for Mac is specially designed for Mac users to convert any audio which can be played in iTunes, such as Apple Music files, audiobooks, iTunes music or other downloaded music, to MP3, AAC or WAV format.
– Convert DRM-ed Apple Music files to MP3/AAC/WAV formats;
– Convert iTunes M4A, M4B & Audible AA, AAX audiobooks to MP3/AAC/WAV;
– Convert iTunes music to MP3, AAC and WAV.

Legally Remove DRM from Apple Music, Audiobooks & M4P Music
– Remove DRM from Apple Music files to help you listen them on your iPhone SE, iPhone 6S/6S Plus, iPad Pro, iPod, Zune, PSP, MP3 player offline.
– Legally remove DRM from iTunes M4P, M4A, M4B & Audible AA audiobooks and convert the audiobooks to DRM-free MP3, AAC or WAV.
– Easily remove DRM protections from iTunes M4P music and convert them to the plain formats you like.

Silently Convert Any Audio at 20X Faster Speed with Lossless Quality
– Convert all audio files at unbeatable fast speed and support batch conversion.
– Support high quality output audio. The quality of the output audio can be as excellent as CD Quality.
– iTunes DRM Audio Converter will mute iTunes while converting to play the DRM-ed music tracks silently in the background and record audio files at 20X faster speed.

Keep ID Tags Information & Ease-to-use
– The ID Tags will be preserved in output MP3 or AAC files while converting. Information including Artwork, Metadata (artist,album, year, track number, genre) can be kept after conversion.
– It is very easy to use, just with the intuitive interface, you can convert iTunes audio quickly with a few clicks.
– No extra hardware or virtual drive needed. The program will encode the iTunes audio to MP3, AAC or WAV while recording.

What’s New Version 2.2.1:
– Support iTunes 12.6.1.27

Requirements: Intel, 64-bit processor, OS X 10.8 or later.

INFO/DEMO: http://redi.se/3hbb
iTunes DRM Audio Converter 2.2.1 macOS-TNT
http://beelink.in/32657/iTunes-DRM-Audio-Converter-2.2.1-macOS-TNT.html

MP3 Music Converter v1.0.35 macOS TNT, macos software audio apps, TNT, Music Converter, Music, Mp3, macOS, Converter

MP3 Music Converter v1.0.35 MAC

TNT | 27 May 2017 | 31 MB

Now, you won’t miss this MP3 Music Converter! Because you can convert MP3 and any other music formats as you need, also there are many general/lossless audio provided for you!

You should check these paragraphs below, and there maybe some surprise waiting for you.
1. You got MP3 music files, or whatever audio files, like M4R, WMA, WAV, OGG, AC3. Or a video included your favorite song.
2. Sometimes, you want to edit them before converting the music files, maybe they are too long to be ringtones, try “Clip” them.
3. Then, choose the output formats for your audio files from “Profile”, “M4R” for a Apple ringtone, “MP3” for almost any popular device, and ALAC, WMV, FLAC, AIFF, etc. For example, if you want to convert WAV to MP3, just choose “MP3”.
4. Now, don’t hurry to “Convert”, you can “Merge into one file” with all your songs files, but the precondition is you want to merge music together. And you can listen to the music that you have converted in “Preview”, just view it as a MP3 player or music player.
5. Ok, all preparation has finished, you can “Convert” MP3 or music now.

This is the MP3 Music Converter for you. Now let’s see the detailed music converting functions about it.
1. Convert Video to MP3 or other audio files.
Convert Video to MP3/AAC/M4A/M4R/WMA/FLAC/WAV and any other audio and music formats. If you want to convert a video to MP3, you can use this best MP3 converter, and choose the output audio file – MP3.

2. WMA to MP3, M4A to MP3, WAV to FLAC, MP3 to WAV, etc
This music converting app can be MP3 converter, FLAC converter, WAV converter and any audio file converter. That means you can convert any audio file to MP3, convert MP3 to all other music files, or change WAV/WMA/M4R/ALAC/OGG to AC3/AIFF/MKA and more. Use the audio converter, any format of music with any audio file is able to be converted.

3. Edit audio and music.
With “Clip”, you can trim the length of your music files. For example, if you want to convert MP3 to M4R for making a ringtone for your phone, but the music is too long, please clip it to the right length. It is also a ringtone maker. With “Edit”, the music volume is adjustable according to your need.

4. Mix songs into a single music file.
Before you convert music, tap “Merge into one file”, you can combine these audio file into one song.

5. As a MP3 or music player.
You can listen to the edited music by click the play button in the “Preview”. See, it is a MP3 player.

6. Compatible with almost any popular devices.
It is compatible with iTunes, iPhone 6s Plus/6s/6 Plus/6/5s/5c/5/4S/4/3GS, iPad Pro/Air/mini, iPod, Samsung phones, LG, HTC, Sony and other Android phones. Also, This MP3 Music Converter supports any other music players.

What’s New in Version 1.0.35
1. Support more lossless audio
2. Expand audio quality

INFO/DEMO: https://goo.gl/ylfk0Y
MP3 Music Converter v1.0.35 macOS-TNT
http://beelink.in/32658/MP3-Music-Converter-v1.0.35-macOS-TNT.html

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